The tan Countryman E6i Omnidirectional Earset Mic, Standard Gain with Detachable 2mm Cable and 3.5mm locking Connector for Azden Wireless Transmitters is a vocal microphone with a soft, flexible boom that facilitates its adjustment for different users. It's built with a larger silicone rubber earpiece making it better suited for situations when multiple users share the same mic.

The E6i earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6i earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the highest gain for general speaking such as presentations or sermons. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6i earset's cable terminates to a 3.5mm locking connector for direct connection to Azden 15BT and 35BT wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Azden Transmitters    Headroom for General Speaking    Detachable 2mm Diameter Cable    Soft, Flexible Boom    Larger, Silicone Rubber Earpiece    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6i is soft and highly flexible with a larger silicone rubber ear piece. When multiple users share a mic, the E6i is a great choice. The soft boom is durable and the flexibility makes it easy to adjust for different users.

The E6i's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6i earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6i earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. I have a Nikon SB 5000- will this work ? Thank you

A: Yes

Q: 2. Does this cable work with the Dynalite Jackrabbit II and Canon Speedlite 600ex-rt?

A: I cannot answer for the Dynalite Jackrabbit II. However for the Canon Speedlite 600EX-RT it is absolutely perfect!

Q: 3. Is this the correct cable for use between the Sunpak 120J II and the TR3000 power pack?

A: No, that is not the correct cord.The correct cord is, Sunpak TR-3000 Power Cord for Nikon Flashes B&H # SUTR3000N MFR # TR-CORD-N.

Q: 4. Is this compatible with the Panasonic HC-WXF1 UHD 4K camcorder & what Boom is the Best (inexpensive) set up for this mic?

A: Yes, the SMX-30 is fully compatible with the Panasonic HC-WXF1 camcorder. I don't have a recommendation for the "best" boom setup, but I'll add that any boom will work with the SMX-30 so long as it has a 1/4"-20 size male thread. If the boom you want does not have that size thread you can buy the appropriate thread adapter. Lastly, you will need to use a 3.5 mm TRS extension cable if you plan on mounting the SMX-30 at any distance from the camera.

Q: 5. Is the SMX 30 comparable in sound to the Rode Vidpro stereo? Is there adequate base?

A: I have both the Rode Vidpro and SMX 30. The Rode has a bass that is more pronounced, a little warmer. The SMX 30 base is more accurate and I can always adjust the base in post production

Q: 6. I have the Quantum Turbo SC & is the cable IM CZ2 HV the correct cable for the Canon 600 EX RT ?. Regards Viv

A: Yes, the correct cable for the Canon 600EX-RT flash is the CZ2 HV Cable. I will post a link to the item below. https://bhpho.to/2hCuIlx

Q: 7. In the promotional video by Matt from Azden, is he using the Azden SMX-30 in the vid and which mode: stereo or mono? Thanks for your help.

A: Did he give any hints or have you been listening carefully to it?

Q: 8. does this have a headphone out?

A: No it does not have output for headphones.

Q: 9. Is the CZ2 HV the proper cable for the Quantum Turbo SC & Canon 600EX RT ? Thanks in advance

A: Yes, the Impact CZ2 HV Cable is the correct cable for the Quantum Turbo SC and the Canon 600EX- RT.

Q: 10. Will this cable work with Godox PB960 to Godox AD200 Pro II ?

A: The Impact CKE2 HV Cable with Locking Mechanism for Nikon Flashes is not compatible with the Godox AD200Pro II TTL Pocket Flash. It uses the Canon version of that cord, BH #IMCZ2 (https://bhpho.to/3TRQ4u8).