Countryman B3 Omni Lavalier Mic, Standard Sens, With Ta4f Connector For Ad1, Adx1, Axt100ta4f, Glxd1, Pgxd1, Qlxd1, And Ulxd1 Wireless Transmitters (white)
- Product Code: ga77761
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The white B3 Omni Lavalier Mic, Standard Sens, with TA4F Connector for AD1, ADX1, AXT100TA4F, GLXD1, PGXD1, QLXD1, and ULXD1 Wireless Transmitters from Countryman is a water-resistant, miniature lavalier microphone for capturing high-quality audio. It can be used in a variety of applications such as a tie-clip lavalier in interviews, a hair-hidden mic for drama, a water-resistant mic for water sports and hurricane reporting, or simply a small mic to hide in a prop flower vase.
The B3 capsule is resistant to moisture (IP67), which allows for placement in the hair or on bare skin, and its omnidirectional polar pattern minimizes handling noise, wind noise, and plosives (popping). Furthermore, a variety of skin-matching colors are available. This B3's cable terminates to a TA4F connector for direct connection to AD1, ADX1, AXT100TA4F, GLXD1, PGXD1, QLXD1, and ULXD1 Shure wireless bodypack transmitters Additionally, a carrying case, two cable clips, a windscreen, and three protective caps are also included.
For Interviews, Drama, and Water Sports TA4F (AX), See Description 20 Hz to 20 kHz Frequency Response Headroom for General Use Includes 3 Capsule Protection Grids Windscreen Cable Clips Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | Shure: AD1, ADX1, AXT100TA4F, GLXD1, PGXD1, QLXD1, ULXD1 |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 150 dB (A-Weighted) |
Sensitivity | 4 for Standard/Most Uses (B6, B3, B2D) |
Analog Output | 1x TA4F/Mini-XLR 4-Pin Female |
Environmental Resistance | Water-Resistant (Unrated) |
Microphone | |
Compatible Transmitters | Shure: AD1, ADX1, AXT100TA4F, GLXD1, PGXD1, QLXD1, ULXD1 |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +4 dB Bright, +0 dB Flat, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 150 dB (A-Weighted) |
Sensitivity | 12.0 mV/Pa |
Sensitivity | 4 for Standard/Most Uses (B6, B3, B2D) |
Equivalent Noise Level | 24 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x TA4F/Mini-XLR 4-Pin Female |
Cable Length | 5' / 1.52 m |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 3 to 12 V (Plug-In Power) |
Physical | |
Color | White |
Environmental Resistance | Water-Resistant (Unrated) |
Dimensions | ø: 0.18 x L: 0.23" / ø: 4.57 x L: 5.8 mm |
Weight | 0.01 oz / 0.34 g |
Looks great when you want to see it, virtually disappears when you don't. The B3 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.
The B3 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.
The B3 provides high-quality audio with low distortion at SPL up to 140 dB for wireless applications. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B3 easy to position for ambient noise and feedback rejection.
Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high-overload capability for recording instruments.
Standard, for most uses.
Related Questions and Answers
Q: 1. Is this system true diversity?
A: No
Q: 2. I want to connect this to my Canon EOS R5 while recording video. Can the audio be recorded into the video from these mics? Or will I have to overlay the audio onto the video later because the video will pick up the audio from the camera? I'm looking to "mic up" athletes in a sporting event while recording from the sideline.
A: Yes, you can use the Rode Wireless GO mic system to record audio directly into the camera. You can also record audio on the transmitters at the same time and then have the audio that is recorded on the transmitters as a backup track.
Q: 3. Can you use Rode Wireless Go II if you don't have an external mic? My camera doesn't have an external mic.
A: The only only way to connect a external microphone system such as the Rode wireless Go II is for the camera to have a microphone input, if the camera does not have a external microphone input the audio would have to be recorder separately into a audio recorder at that point the video and audio would have to be sync in post production.
Q: 4. How do u connect to iphone wirelessly?
A: u need two items to connect to a phone depending on what type phone you have your going to need lighting if iphone or type c if android or apple ipad links below https://www.bhphotovideo.com/c/product/1048151-REG/rode_sc4_trs_to_trrs_adaptor.html?sts=pi&pim=Y https://www.bhphotovideo.com/c/product/1442282-REG/apple_mu7e2am_a_usb_c_to_3_5_mm.html?sts=pi&pim=Y https://www.bhphotovideo.com/c/product/1280795-REG/apple_mmx62am_a_lightning_to_3_5mm_headphone.html?sts=pi&pim=Y
Q: 5. How can I mount it to a BMPCC 6K PRO?
A: The receiver will mount in a shoe. Yuu can use this adapter here: https://www.bhphotovideo.com/c/product/860269-REG/Revo_sa_cs_14m_Hot_Shoe_to_1_4.html?sts=pi&pim=Y
Q: 6. Does this work with iphone camera?
A: Yes, the Wireless GO II system is compatible for use with the iPhone's native camera app.
Q: 7. Are they 2 recorded files (file #1 for mic #1 and file #2 for mic #2) or it is a one merged file (stereo for mic#1 and mic#2). Since there is only one output on the received, I would assume there will be only one channel. I am not sure if an XLR split could resolve that?
A: The Wireless GO II offers stereo or dual-mono output modes which allows the audio from each transmitter to be routed and recorded to a separate channel so you will hear one mic on the left and one mic on the right, or the audio from both transmitters can be mixed together and recorded identically to hear both mics combined on the left and right channels. Audio can also be recorded directly onto each of the transmitters and you would be able to download the separate recorded files from each transmitter onto your computer.
Q: 8. Can i use 2 sets of these connected to a PC over USB to function as a audio interface for 4 people for livestreaming? also how do the receivers show up in winows as a separate audio device for each transmitter or somehow combined?
A: You would need to connect to an audio interface that has at least 2 mic inputs. You would need a Kopul mini - XLR adapter (in the following link) for each receiver to be able to connect it to an audio interface. The receivers would not show up as separate devices. You control the level of each receiver on the audio interface itself. https://www.bhphotovideo.com/c/product/985832-REG/kopul_a_xmmf_adapter_xlr_male.html
Q: 9. Is glxd1+ transmitter compatible with glxd4 receiver?
A: No, the Shure GLXD1+ Dual-Band Wireless Bodypack Transmitter (Z3: 2.4, 5.8 GHz) is not compatible for use with the Shure GLXD4 Digital Wireless Receiver (2.4 GHz) - B&H # SHGLXD4Z2, which operates on the 2.4 GHz frequency band only. Shure's single-band GLX-D series was discontinued and replaced by the updated dual-band GLX-D+ series. Unfortunately, the GLX-D+ components are not backwards compatible, so the GLXD1+ Transmitter cannot be used with the GLXD4 Receiver. The GLXD1+ Transmitter is intended for use with the Shure GLXD4+ Dual-Band Wireless Tabletop Receiver (Z3: 2.4, 5.8 GHz) - B&H # SHGLXD4Z3 and the Shure GLXD4R+ Dual-Band Wireless Rack Receiver (Z3: 2.4, 5.8 GHz) - B&H # SHGLXD4RZ3. For a bodypack transmitter to use with the GLXD4, you will need to use the older, discontinued single-band Shure GLXD1 Digital Wireless Bodypack Transmitter (2.4 GHz) - B&H # SHGLXD1Z2 or you can replace the system (transmitter and receiver) with the new components.
Q: 10. Can I use this in a theatre setting for live sound?
A: Yes. Suggest using with the optional Lav mic.
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