The black B6 Omnidirectional Lavalier Microphone, Low Sensitivity, with Hardwired 3.5mm Locking Connector for Sony Wireless Transmitters from Countryman is a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.

This version is ideal for use as a head mic in theater. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a 3.5mm locking connector for direct connection to Sony ZTX-B01 and ZTX-B02RC wireless bodypack transmitters.

Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.

For Theater, Live Stage & Studio Use    Hardwired Connector    Fits Sony Transmitters    3.5mm Locking (SF), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Theater Head Miking    Includes Windscreen & Cable Clips    Includes Carrying Case

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Low, head miking for theater.

Related Questions and Answers

Q: 1. What's the minimum distance between the front and rear standard? Thanks.

A: The manufacture does not list the minimum distance the standards can be from each other. Technically it is very close but with depending on the lens you use you will never go to the minimum distance.

Q: 2. Is there a lens plate that accepts Sony E mount lenses available for ACTUS available?

A: At this time there is not any way to mount Sony-E lenses on the Actus platform.

Q: 3. True diversity only in single channel mode - so I can't have 2 mics in true diversity?

A: The Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver does not utilize true diversity when operating in dual-channel mode.

Q: 4. Can I use the Sony UWP-D27 to wirelessly feed a Sony A7s from my mixer’s two channel output?

A: Yes, the UWP-D27 2-Person Camera-Mount Wireless System can be used to send a line signal from the left and right outputs of your mixer to your Sony a7s Mirrorless Camera. The 2 x UTX-B40 Wireless Bodypack Transmitters can send the independent left and right outputs of your mixer to the URX-P41D Dual-Channel Camera-Mount Wireless Receiver. The left and right outputs of the URX-P41D Receiver can then send a stereo line signal to your Sony a7s Mirrorless Camera by utilizing the XLR-K3M Dual-Channel Digital XLR Audio Adapter Kit (sold separately).

Q: 5. Hi. Is the Hi. Is the Sony SMAD-P5 Digital MI Shoe Adapter included?

A: No, the Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System does not include the Sony SMAD-P5 Digital MI Shoe Adapter for UWP-D Series (B&H # SOSMADP5). The SMAD-P5 is available separately.

Q: 6. Hi, I'd like to know whether you sell this kit in frequency range suitable for France/Europe ? Thanks, Marc

A: The Sony UWP-D Series Wireless Microphone Systems and other wireless microphone systems that we sell are intended for use in North America, but they may also work in other countries. You will need to check with the local authorities or shops in France to find out which frequencies are available for use by wireless microphones.

Q: 7. Is it at all possible to use this system with on a Red Komodo?

A: Yes, the Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System can be used with the RED KOMODO Digital Cinema Camera.

Q: 8. Does the product come in a hard case, for easy transport?

A: The product does not include any case other than the retail box it comes in.

Q: 9. What frequency recommendation would you make for the city of San Jose, CA?

A: The "UC14: 470 to 542 MHz" version of the Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System seems to have the most open frequencies in the San Jose, CA area.

Q: 10. Are there any advantages or disadvantages of using the UC90 version? Is it true that a license is required to use this band.

A: No license is required to use any version of the Sony UWP-D27 within the USA. There is no objective benefit to any frequency block over another, as the frequencies used has no direct effect on audio quality. The only case in which you would prefer one frequency block over another would be if 1. there is radio activity/interference within one band in your area, or 2. if you need to ensure compatibility between this and another Sony wireless device.