The white B6 Omnidirectional Lavalier Microphone, Standard Sensitivity, with Detachable LEMO 3-Pin Connector for WisyCom Wireless Transmitters from Countryman is a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.

This version offers the highest gain for general speaking such as in presentations or sermons. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a LEMO 3-pin connector for direct connection to WisyCom MTP30, MTP40, MTP40S, MTP41, and MTP41S wireless bodypack transmitters.

Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.

For Theater, Live Stage & Studio Use    Detachable Connector    Fits WisyCom Transmitters    LEMO 3-Pin (WY), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Most Uses    Includes Windscreen & Cable Clips    Includes Carrying Case

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Standard, for most uses.

Related Questions and Answers

Q: 1. how many Rode wireless GO II single can I have on set, before the the signal start to disturbate?

A: There is no universal rule as to how many 2.4 GHz wireless sets can coexist in one area before problems arise, but it is generally thought that 2-3 sets is the limit in most cases. Results may vary based on the amount of interference present in the area from sources such as WiFi.

Q: 2. How good/bad is the Wireless Go II if I use it like a shotgun mic both receiver and one transmitter on the same camera for typical outdoor YouTube videos?

A: The Rode Wireless GO transmitter is not going to work like a shotgun microphone. The transmitter's built-in mic is omnidirectional and shotgun microphones are typically very directional and designed to pickup sound from a distance while reducing the background noise. The transmitter's built-in mic is intended to be used while it is attached to a person for picking up their voice from close up. If you need a microphone to pickup sound while mounted on the camera, then you should use a shotgun microphone for the best results.

Q: 3. Are they 2 recorded files (file #1 for mic #1 and file #2 for mic #2) or it is a one merged file (stereo for mic#1 and mic#2). Since there is only one output on the received, I would assume there will be only one channel. I am not sure if an XLR split could resolve that?

A: The Wireless GO II offers stereo or dual-mono output modes which allows the audio from each transmitter to be routed and recorded to a separate channel so you will hear one mic on the left and one mic on the right, or the audio from both transmitters can be mixed together and recorded identically to hear both mics combined on the left and right channels. Audio can also be recorded directly onto each of the transmitters and you would be able to download the separate recorded files from each transmitter onto your computer.

Q: 4. Can these be use a single person video shot

A: Yes you can use just 1 transmitter with the receiver in the Rode Go II to capture 1 person talking.

Q: 5. When you adjust the gain on the receiver (in either fine or the three basic increments) is it actually adjusting the gain on the receiver, or the transmitter? Will I still experience clipping on the internal recording on the transmitter, if I adjust the gain on the receiver to an appropriate level?

A: The gain actually raises volume on receiver if you are experiencing clipping use the control app to fine tune gain adjutments on the receiver also make sure what ever device you are connecting the Rode into make sure levels are between -6 to -8

Q: 6. Does Rode have a block plug transmitter compatible with this system that provides switchable phantom power and switchable mic/line levels?

A: No, that would only be available on the Rodelink as of this time. For now, you can use the Rode Go Transmitter as a handheld microphone, using the Interview Go adapter [BH #ROINTERVIEWG].

Q: 7. Will this mic work with a DJI OSMO ACTION (not an Action 2) ?

A: Yes, the Rode Wireless GO II 2-Person Compact Digital Wireless Microphone System's receiver can send signal into the DJI Osmo Action 4K Camera's USB Type-C connection when the DJI CYNOVA Osmo Action Dual 3.5mm/USB-C Adapter (BH #DJOAD35) is also implemented for 3.5mm connection: https://bhpho.to/3Ea0Xym

Q: 8. Are the gain changes made in the receiver or in the transmitter? If I set the gain lower, will it reduce the gain on the receiver's internal recording, too? Also, is the second channel internal safety track done as an analog reduction in the transmitter, or as a digital reduction in the receiver?

A: There is a gain control on the receiver which provides a three-stage pad to cut your output level in 12 dB increments. A single click of the gain control button allows you to select between high (0 dB), medium (-12 dB), and low (-24 dB) gain settings. The level icon in the middle of the screen indicates which gain setting is selected. An additional fine gain control mode can also be enabled in the Rode Central app which will expand the three-stage pad to a 10-stage pad, going from 0 dB to -30 dB in 3 dB increments. This allows you to precisely tailor the output level going to your recording device. It also provides access to an extra 6 dB of gain reduction, which is handy if you are using a recording device with high sensitivity. Be aware that the gain control only affects the 3.5mm output of the Wireless GO II, not the digital USB-C output. If you are using the Wireless GO II with a smartphone or computer and need to adjust the gain, you can do so in the app or recording software that you are using. The safety channel can only be activated in 'Merged' recording mode which combines the output of the two transmitter channels into a single summed output. When using the safety channel, you will have two channels of identical audio with the volume level on the safety channel reduced by 20 dB, preventing overload that could create distortion.

Q: 9. Is it possible to connect multiple receivers to the same transmitters (ie. using this system to hop an audio mix to multiple cameras)?

A: This is not a suggested usage of this digital wireless system.

Q: 10. Can I use the lav mic but also use a deity mic on top of my camera? To use 2 different mics

A: Yes, it would be possible to use the Rode Wireless GO II 2-Person Compact Digital Wireless Omni Lavalier Microphone System/Recorder Kit alongside another microphone connected to a camera, but how the microphones are connected depends on the camera's options for audio input. A small camera mixer such as the Beachtek DXA-MICRO-PRO Active XLR Compact Adapter (BH #BEDXAMICROP) could accommodate multiple microphones of different types and send their mixed signal to the input of a DSLR camera, as an example.