The Shure VP83F LensHopper merges all the functionality of the VP83 camera-mount shotgun mic with a self-contained recorder and a dedicated headphone jack. Designed for mobile journalists, vloggers, and run-and-gun shooters, it features a backlit LCD screen with easy access to the mic gain, bass roll-off, metering, and more.

With its integrated WAV audio recorder and separate audio output, the VP83F allows convenient redundant recording to a microSDHC card (available separately) and your camera while supporting real-time headphone monitoring.

Featuring rugged metal construction while remaining compact and lightweight, the VP83F is designed to be a reliable partner for your portable video rig. Its integrated shockmount attaches directly to your camera or tripod and impedes camera handling noise and vibrations transferred through a tripod. To reduce noise from light winds, the VP83F is equipped with a foam windscreen. A detachable coiled 3.5mm TRS cable is supplied for easy connection from the mic to your camera.

Mobile Journalist, Vlogger, Run & Gun    Integrated WAV Audio Recorder    Separate 3.5mm Camera & Headphone Outs    Gain, Volume & Bass Roll-Off Controls    Detachable Coiled 3.5mm TRS Cable    Audio & Battery Levels on LCD Screen    Compact and Lightweight    Windscreen Reduces Wind Noise    Integrated Shoe/Tripod Shockmount    10-Hour Run Time via AA Batteries

The VP83F's integrated audio recorder allows you to capture 24-bit / 48 kHz WAV files to a separately available microSDHC card (32GB maximum, Class 6 or higher) while recording the VP83F's output to your camera. Even if the audio cable gets disconnected or the camera settings are misconfigured, the VP83F continues to record. A 32GB microSDHC card will yield up to 64 hours of recording time. Transfer titled and timestamped WAV files to a computer using an SD card adapter or USB adapter (both available separately).

The omnidirectional microphones found in most cameras pick up sound from all directions, yielding too much ambience and noise. The VP83F uses a supercardioid/lobar polar pattern to focus on sound in front of the mic while attenuating portions of side- and rear-entry sound. Its sensitive condenser capsule and low-noise electronics produce more detailed audio and less hiss than traditional microphones built into cameras.

A detachable coiled cable is included with the VP83F to provide efficient connection from the VP83F's main output to your camera. The cable's 3.5mm TRS plug is wired in dual mono, which delivers the mic signal identically to both input channels on your camera or portable recorder. Additionally, you can plug headphones into the dedicated volume-adjustable 3.5mm headphone output for convenient real-time monitoring of your signal.

Two included AA alkaline batteries power the VP83F for up to 10 hours of recording time. The power/battery LED will be turn red to warn of low battery levels. Approximately 15 minutes of run time remain once the battery icon begins flashing. To conserve battery life during periods of inactivity, use the power switch to turn off the mic or remove the battery from the battery compartment. NiMH or lithium AA batteries may also be used.

Traffic and HVAC (heating, ventilation, and air conditioning) systems can create a buildup of low-frequency noise that reduces the intelligibility of your audio. When dealing with such factors, activate the low-cut filter to roll off bass frequencies without compromising the integrity of midrange and high frequencies.

Optimal recording levels are crucial to avoiding distortion and lessening noise. The VP83F features adjustable microphone gain and camera output volume. Apply up to 60 dB of mic gain in 1 dB increments, and choose from three camera output volume settings—high gain (0 dB) for cameras with a low-gain preamp, medium gain (-20 dB) for most cameras, or low gain (-40 dB) for cameras with a sensitive preamp.

Use the ergonomic 5-position joystick to navigate the menu system, which is displayed on a backlit LCD screen. See track information, low-cut filter status, remaining recording time, headphone volume, mic gain, and meters for the battery and audio level at a glance. A record/pause/stop button and an LED indicator are placed next to the joystick for easy transport operation.

The VP83F utilizes an integrated Rycote Lyre shockmount to isolate the mic from vibrations and mechanical/handling noise. The bottom of the shockmount features a camera shoe mount with a 1/4"-20 thread, ensuring simple attachment to your camera or a tripod (available separately).

The foam windscreen on the VP83F is designed to lessen undesirable wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, acquire a furry windshield such as the Shure A83-FUR (available separately).

The VP83F's all-metal construction provides a durable, rugged frame for rigorous operation in a variety of environments. It also offers enhanced RF immunity to mitigate unwanted audio artifacts from cellular and RF devices.

Related Questions and Answers

Q: 1. Can this mike/recorder generate a slate tone for syncing audio and video?

A: The VP83F does not have a slate tone function. When using this device it is recommended that more traditional slate methods be used in order to aid in syncing your audio with video in post. Please reference this helpful video for further information: http://bcove.me/s3dedt18

Q: 2. Will this mic block the EVF on an Eos M50?

A: I havent tried it by it clears more lenses than the rode

Q: 3. Can this be used without using the flash recorder?

A: The Shure VP83F can be used without using the recorder functionality.

Q: 4. Will the Shure vp 83 work with a LUMIX g9? I see the mike comes with a TRS cable to input to the camera and the G9 has a TRRS audio input.

A: Yes, the Shure VP83 is compatible for use with the Lumix G9. The mic input on the camera is a standard 3.5mm TRS connection. It is TRS and not TRRS, which is the common connector for most mobile devices. So the VP83 will connect directly to the mic input on the camera with no adapters needed.

Q: 5. Is this a mono or stereo mic?

A: This is a monophonic microphone.

Q: 6. Can you connect the mic to a recorder instead of a camera using the red output jack and record to the recorder? So you don’t have to use a SD card.

A: Yes. This is designed to record to both an SD card and or a camera /recorder

Q: 7. I shoot live rock and blues in a small club. What I'm looking for is a mic that will produce accurate sound without a lot of audience noise. I have a Canon D5 M2. Is this for me? or should I look at others?

A: It's a nice mic but possibly not the best option for your purpose. First, it's a mono mic. It is directional so you will cut out some surrounding noise but if the club forces you to be quite close you you may overemphasize one performer or instrument and if you are further back you may have audience in front of you defeating your purpose. Also, it won't help with audience noise reflecting back from the stage area.Be aware that you will need to turn off IS or risk picking up noise from the IS motors despite the shock mounting. It is very noticeable and distracting if the IS is on on the 24-105 on my 5D3.I now use a Zoom H6 and sync in post. It has flexibility to position it away from the camera but can be hot-shoe mounted and fed straight to the camera as needed. It is stereo with the option to bring in up to four more tracks from a mix-board, etc.

Q: 8. Is there anyway it will hear the autofocus in my dslr?

A: It is specifically designed for HDSLR use. To date I have not had a single customer comment referring to this issue. I have not experienced this problem while using it at all.

Q: 9. Can I use this for any DSLR or mirrorless caemra which doesn't provide headphone output jack?

A: It will connect to any camera equipped with an external microphone port.

Q: 10. Could I use this as a boom mic interview style (placed above the talent) with an extension cable?

A: Yes, you can use the VP83 with an extension cable and mount the mic on a boompole or stand. The bottom of the camera shoe mount attached to the shock mount has a 1/4"-20 female thread which you can use to attach the mic to a boompole or stand. You may need to use a thread adapter. Tripods typically have a 1/4"-20 thread, but most boompoles have a 3/8" thread and most microphone stands have a 5/8" thread. For a boompole or stand with a 3/8" male post, you can use the Impact Small 3/8"-16 Female Threaded Adapter to 1/4"-20 Male Threaded Post (B&H # IMCA103) . For a microphone stand with a 5/8" male thread, you can use the CAMVATE 5/8" Female to 1/4"-20 Male Mic Stand Adapter (B&H # CAC0988). For an extension cable, you can use the Hosa Technology Stereo Mini Male to Stereo Mini Female Cable - 25' (B&H # HOSMMSMF25) or any similar aux cable in the length you prefer.