Akg P120 Condenser Microphone Starter Recording Kit With Notepad-8fx Mixer
- Product Code: ga83348
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Whether you record vocals at home or mic up blaring guitar cabs and explosive drums on stage, the black AKG P120 condenser microphone is designed to give clear, distortion-free sound on a tight budget. This side-address mic sports a rugged all-metal body that not only bolsters durability, but also aids in rejecting RF interference from sources such as wireless systems. It comes with a stand adapter for straightforward mounting on your existing mic stand.
The low-mass 0.67" gold-sputtered diaphragm yields a detailed sound with a slight high-frequency rise above 10 kHz, and it is capable of handling SPLs up to 150 dB (-20 pad on) without audible distortion. A gentle low-cut filter at 300 Hz can be engaged, which helps reduce rumble, wind noise, or even bass buildup from up-close miking. Stage bleed and background noise are attenuated by the mic's cardioid polar pattern, which is most sensitive to sound in front of the microphone. Use a separately available XLR cable to connect the P120 to an XLR mic input that can supply 48V phantom power.
1 x Cardioid Condenser Microphone 1 x 8-Channel Mixer with USB I/O & FX 1 x Set of Closed-Back Studio Headphones 1 x Telescoping-Boom Tripod Mic Stand 1 x Nylon Pop-Filter with Gooseneck 1 x Balanced XLR 3-Pin Microphone Cable Switchable Pad & Low-Cut Filter High SPL Handling Wide Frequency Response XLR with 48V, RCA & 1/4" Mixer Inputs
Key Specs | |
---|---|
Element Type | Electret Condenser |
Polar Pattern | Cardioid |
Controls | Pad, Low Cut/HPF |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 130 dB 150 dB (with Pad) |
Analog Output | 1x XLR 3-Pin Male |
Power Sources | Phantom Power |
Microphone | |
Sound Field | Mono |
Element Type | Electret Condenser |
Diaphragm | 0.67" / 17.02 mm |
Polar Pattern | Cardioid |
Orientation | Side Address |
Circuitry | Solid-State |
Pad | -20 dB |
High-Pass Filter | 300 Hz, 6 dB/Octave |
Filter & EQ | Low-Cut Filter: 300 Hz, 6 dB/Octave |
Controls | Pad, Low Cut/HPF |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 130 dB 150 dB (with Pad) |
Off-Axis Rejection | 3 dB at 60° 12 dB at 120° 20 dB at 180° |
Sensitivity | -32.5 dBV |
Equivalent Noise Level | 19 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x XLR 3-Pin Male |
Power | |
Power Sources | Phantom Power |
Operating Voltage | 48 V (Phantom Power) |
Physical | |
Color | Black |
Dimensions | ø: 2.1 x L: 6.5" / ø: 5.4 x L: 16.5 cm |
Weight | 16.05 oz / 455 g |
Packaging Info | |
Package Weight | 1.995 lb |
Box Dimensions (LxWxH) | 9.7 x 7.5 x 3.25" |
This side-address microphone is most sensitive to sounds arriving from in front of it while picking up much less of sounds arriving from the sides or rear (from monitor speakers or neighboring instruments). This makes the microphone equally suited for recording and onstage use.
The 0.67" diaphragm—sized between the measurements of typical large and small diaphragms—is made of a plastic foil that is gold-sputtered on one side only to prevent shorting to the back electrode even at extremely high sound pressure levels.
The all-metal body adds to the rejection of RF interference so you can use the microphone near transmitter stations and along with wireless microphones or other communications equipment. The extremely rugged, heavy body and sturdy front grille protect the microphone from damage from tough handling on stage.
Capable of handling sound pressure levels up to 150 dB without introducing perceptible distortion and built to resist high temperatures and humidity, the microphone will give excellent results in a wide range of applications.
Selector 1 on the microphone front further reduces low-end distortion caused by footfall, wind noise, and air conditioning rumble. The filter also minimizes the proximity effect that close-in miking from less than 4" causes in any unidirectional microphone. The filter rolls off at 6 dB/octave from 300 Hz downward.
Selector 2 on the microphone front lets you increase the headroom by 20 dB for distortion-free recording up close. The pre-attenuation pad prevents the microphone's output level,
particularly at low frequencies, from overloading the miniature transformers used in many mixer input stages, etc.
The P120 uses a condenser transducer designed for 48V phantom powering from a source such as an external mic preamp, an audio interface, or a mixing console. It provides a balanced output on an XLR 3-pin male connector; use an XLR cable (available separately) to connect the microphone to a balanced XLR input with phantom power.
Related Questions and Answers
Q: 1. In the description, there's this sentence: " You can power the mic with 48V phantom power." What does this mean? Do you have to buy an accessory of some kind to provide power?
A: In order to use this mic, you will need a mixer, interface, or hardware recorder with an XLR mic input, and the ability to provide 48v phantom power. Phantom power is a 48v charge required by the mic to work. As well, you would need an XLR mic cable to connect it to either of those sources, a mic stand to attach it to, and a pop filter if recording vocals.
Q: 2. It comes with aluminum case?
A: yes
Q: 3. I make streaming for Instagram with mackie profx6v3 to Samsung s20fe (usb) . I can do this with soundcraft notepad 8fx?
A: Yes, the Soundcraft Notepad-8FX Small-Format Analog Mixing Console can be used in the same manner as the Mackie ProFX6v3 Sound Reinforcement Mixer.
Q: 4. So are these specifically for the Mixerface recorders? I wanted to get these for my Zoom F3 because they would be perfect for it, but I'm seeing other people saying they're proprietary.
A: The CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphone will perform best when used with the CEntrance Mixerface. Presumably these could be used with other recorders such as the Zoom F3, however as others mention, the orientation of the XLR connections may present an issue when attempting to orient the capsules in a specific stereo pattern.
Q: 5. Does this mic work with plug-in power or strictly by battery?
A: The Audio-Technica ATR6250 is powered strictly by AA battery.
Q: 6. What is the self-noise of these microphones?
A: According to the manufacturer, the CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphone (Matched Pair) are rated at 20 dBA for self-noise. The standard SPL for measurements is 94 dBA and the signal-to-noise ratio rating is 74 dB.
Q: 7. Is the Aux out a TRS balanced output?
A: According to Soundcraft, the Aux out is a TRS balanced output.
Q: 8. "You can power the mic with 48V phantom power." This sentence is in the description for this product. I don't understand. Is it necessary to buy an additional accessory to use this mic?
A: In order to use this mic, you will need a mixer, interface, or hardware recorder with an XLR mic input, and the ability to provide 48v phantom power. As well, you would need an XLR mic cable to connect it to either of those sources, a mic stand to attach it to, and a pop filter if recording vocals.
Q: 9. Dose this mic come with a shock mount?
A: No, it does not come with a shock mount, just a regular sand mount. You can purchase a shock mount separately: https://www.bhphotovideo.com/c/product/1075693-REG/auray_shm_uc2_shock_mount_for_cylindrical.html
Q: 10. Is that round bump on the side of the housing a screw? I'm wondering if the XLR connector can be rotated inside the housing; currently it's oriented 90 degrees wrong for essentially every recorder on the market.
A: Hi Alex, I just saw your question regarding the Phillips screw on the side of the CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphones. The screw is used in assembly to secure the mic's internal components to the housing and to keep the 3-pin connector in place. The XLR connector cannot be rotated inside of the housing. The screw should not be removed.
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