Designed to deliver professional-quality audio, the 10" QSC K10.2 is a highly flexible, easy to use, 2000W powered portable PA speaker for today's working musicians, singer/songwriters, mobile DJs, and other sound providers.

The speaker works in a variety of orientations and configurations for use as a main PA or stage monitor. When used as a main speaker, a pair of K10.2s is well equipped to cover an audience of up to 300.

A push button on the back of the speaker allows you to physically switch between eleven preset modes and four subwoofer preset modes for incorporating a dedicated subwoofer to extended low-end performance. The built-in DSP provides user control over mic/line and mic/inst selections, factory presets, an alignment delay for rear fills, and a 2-band parametric EQ with high- and low-shelf filters. All settings can be saved into one of five user scenes for easy recall.

Two inputs (A and B) feature combo XLR-1/4" connectors with input A offering a Mic/Line selection and input B offering Mic/Hi-Z selection, which is designed for connecting high-impedance signals such as guitars and other instruments. Additionally, channel 3 provides a 3.5mm TRS auxiliary input for connecting portable audio devices.

With independent mic and line inputs, the K10.2 is a great choice for any singer/songwriter or solo performer with an instrument. You have independent control over mic and instrument levels, while the aux input provides backing tracks or incidental music between sets.

Inputs A and B also feature XLR Thru-Outputs for daisy-chaining to additional speakers or other audio equipment. All three mono inputs are mixed to a mono signal internally and are passed-thru the Mix Out XLR connector. For a true stereo L/R operation, two K10.2s are needed with each to receive independent the left and right signals respectively.

The highly efficient 2000W Class-D amplifier powers the 10" woofer and 1.4" titanium compression driver, which provide full-range audio (56 Hz to 20 kHz) with a sound pressure level powerful enough to ensure the entire audience can hear your performance. QSC's Directivity Matched Transition (DMT) matches the coverage angle of the woofer at the crossover frequency with the horn pattern to ensure a uniform response across the coverage area (90° axisymetric). The Intrinsic Correction techniques ensure a smooth power response resulting in accurate performance in a wide range of acoustic spaces with little or no EQ. The K10.2 includes a power cord.

Advanced DSP with 5 User Scenes    2-Band Parametric EQ + Hi & Lo Shelf    11 Factory Presets + 4 Sub Presets    90° Axisymetric Coverage Pattern    3-Channel Mixer with Level Control    Flight Case for Two K10.2 Speakers    Four Casters (Two Locking)    Two Lightweight Aluminum Speaker Stands    Two Premium XLR Cables    Speaker Stand Bag

• 2000W Class-D amplifier module
• Factory Presets and savable/recallable scenes for commonly used applications
• Multifunction digital display for control and selection of loudspeaker functions including crossover, EQ, delay, and frequency contour
• Intrinsic Correction tuning and loudspeaker management
• Directivity Matched Transition (DMT) design provides excellent power response and consistent performance across the listening area
• Refined, professional appearance looks great in any application
• Rugged ABS enclosure for long life and lasting durability
• Deployment in either main PA or floor monitor position
• Dual pole cup mounts (standard and 7.5 degree down-tilt)
• M10 fittings for flown applications
• Optional security panel prevents unauthorized tampering of controls
• 6-year warranty with product registration

• 2000W power module 
• Delivers ample burst and continuous power for the loudspeaker’s premium drivers
• Designed with very low-noise fan cooling, enabling the enclosures to be used in settings where background noise must be kept to a minimum. 
• Subtle and sophisticated dynamics processing protects the drivers from damage and the performance from distortion

• Presets: The user may select from an extensive list of factory preset EQ contours
  • DEFAULT: The basic voicing of the loudspeaker
  • LIVE: For live sound reinforcement and vocal clarity
  • LIVE BRIGHT: Similar to LIVE with some high-frequency boost to balance the sub
  • DANCE: Low- and high-frequency emphasis
  • STAGE MONITOR 1: For most stage monitor uses, reduces excessive bass build-up on stage
  • STAGE MONITOR 2: For stage monitor use when low-frequency reproduction is needed
  • AC GUIT / VOX: For acoustic guitars and VOX
  • BASS AMP: For direct connection of bass instruments
  • HAND MIC: For speech intelligibility and feedback reduction using a handheld microphone
  • HEAD MIC: For speech intelligibility and feedback reduction using a head microphone
  • STUDIO MON: For use as a recording monitor
• SUB Menu: Select a setting to match the top-box with a subwoofer
  • NO SUB: For use without a subwoofer
  • 80 Hz KS: Applies an 80 Hz High-Pass Filter (HPF) 
  • 100 Hz K – KW – KLA: Applies a 100 Hz High-Pass Filter (HPF) (for use with a K-SUB, KW Sub, or KLA Sub)
  • 125 Hz: Applies a 125 Hz High-Pass Filter (HPF)
• Scenes: Savable and recallable Scenes can store information like user EQ, Delay, and input configuration settings
• DELAY: Adjust the signal delay for rear fill and similar applications
  • 0 to 100 ms, 0 to 113' (all units of measure change together when the Selection knob is turned)
• EQ: Adjust the 4-band, parametric equalizer
  • High-Shelving Band: 1 to 10 kHz (0 dB to -6 dB)
  • EQ1: 50 Hz to 20 kHz (0 dB to -6 dB, 0.4 to 4 Q)
  • EQ2: 200 Hz to 20 kHz (0 dB to -6 dB, 0.4 to 4 Q)
  • Low-Shelving Band: 100 to 500 Hz (0 dB to -6 dB)

• Floor Monitor
  • Use on its side
  • Use vertically
• Main PA
  • Suspended from above
  • Placed on a tripod stand
  • Placed on a pole mount on top of a subwoofer

Related Questions and Answers

Q: 1. Is it possible to connect multiple wireless microphones to this system?

A: Although the JBL EON208P Portable PA System Kit with Speaker Stands and Protective Bags does not include any built-in wireless microphone receivers, in theory you could connect as many wireless microphones as there are inputs. This system could connect up to 8 wireless microphones at once.

Q: 2. My Rode VideoMic NTG doesn't seem to have the mount to connect to this mic stand. What product should I buy to connect the two?

A: You will need this adapter to connect the mic stand to your VideoMicNTG, BH #ONMA100.

Q: 3. Is there a way to turn the speaker lights off?

A: No, unfortunately there is no switch to turn off the LED lights on the Pyle Pro PPHP210AMX PA Speaker and 600W Amplifier/Mixer DJ Kit. The lights come on at a certain volume level and pulse with the beat of the music.

Q: 4. Does this stand work with Focusrite Scarlett Studio Mic?

A: It should . All microphones come with a clip that screws on to any standard mic stand.

Q: 5. Can I hook up a pop filter to this stand?

A: I use it with a boom mic for close sit-down interviews so I would think a pop filter would not be a problem since it is lighter.

Q: 6. Does this work with K10 and K10.2 or only K10.2?

A: To guarantee compatibility, it is advised to use the yoke that has been designed for the K10 Item# QSK10YOKE

Q: 7. will i be able to put a reflection filter on this mic stand? or will i have to buy ANOTHER stand for it?

A: The Auray MS-5230F mic stand is able to support most lightweight reflection filters. We do recommend using a stand with no boom for the best support and positioning.

Q: 8. What would be a good way to wall mount these? Is there a hole in the bottom?

A: The JBL 305P MkII Studio Monitors do not have a pole-mount socket on the bottom, but they can be wall-mounted with brackets such as the Mount-It! MI-SB37 Universal Speaker Wall Mounts - Pair (B&H # MOMISB37).

Q: 9. Could i hang these speakers from ceiling? Do you sell any rigging parts that would work for this model? looking to hang 4

A: The PVi 10 are designed to be used as a portable PA speaker system. They feature no mounting points aside from the standard pole insert on the bottom of the unit for stand mounting. Not recommended to be flown. Peavey currently offers no rigging hardware for this model.

Q: 10. How do I know what mics this stand will work with? Specifically wondering if it will work with my audio technica shotgun mic?

A: There is a universally accepted standard thread on it. You can use any microphone with its screw to fit in it. Your Audio Technica would supply you with a threaded screw mount along with an adapter in case the main mounting is bigger in diameter.