Ensure your studio monitoring is accurate, revealing, and up to the task of mixing day in and day out with the Dynaudio Core 47. This is a three-way, tri-amped monitor, offered here in a right orientation. The Core 47 is a midfield monitor, the midsized variant in their flagship mixing monitors.

Utilizing efficient Class-D Pascal amplification, the monitor offers the user 500W for the lows, 500W for the midrange, and 150W for the high range. These individual amplifiers power dedicated low, midrange, and high-frequency drivers to ensure an accurate, fast transient response—even at high SPLs. The monitor also makes use of sophisticated DSP to ensure a flat response down to 44 Hz at -3 dB, and 37 Hz at -6 dB. Highs extend all the way up to 31 kHz at -6 dB to ensure a detailed high end.

With crossovers set at 475 Hz and 5.25 kHz, Core 47 provides a critical window into the ever-important vocal register, ensuring mix decisions on vocal EQ and dialogue dynamics can be made with confidence. The three-way design also does wonders for the bass; since midrange duties are handled by their own cone, low-end information can be judged and mixed with much more clarity.

The Core 47 has analog and AES (digital) XLR connections on the rear, as well as a digital XLR output for connecting a digital monitoring rig, and a BNC wordclock input to sync any digital signal to your clock of choice.

7" Woofer    4" Mid-Woofer    1" Tweeter    Tri-Amped: 150W / 500W / 500W Class-D    24-Bit / 192 kHz Signal Path and DSP    44 Hz to 27 kHz (±3 dB)    Accurate Bass, Midrange, and Treble    Analog and Digital AES Connections    Allows Multiple Configurations    Tonal Filters Don't Alter Phase Response

The Core 47 has the power to optimize itself for differing acoustic environments. You'll note three onboard settings: Anechoic, for when the monitors are placed on stands in rooms that have sufficient dampening treatment (such as recording studios and dubbing stages); Desk, for when they're on a workstation or meter bridge; and Soffit, for when they're mounted in properly designed wall soffits as part of an overall architectural acoustic design. And that's not all—you can also set boundary filters that compensate for walls or corners where low-frequency room modes can be triggered.

Users can also alter the overall sound of the monitor. Core 47 uses a full-spectrum band-pass filter that tilts depending on the desired tonal response. In the Dark setting, the entire frequency response is tilted, so 20 kHz is attenuated by 1.5 dB, while 20 Hz is boosted by 1.5 dB. In the bright setting, the tilt is reversed. This gentle filter, unlike traditional shelving EQs, maintains the proper phase response between the drivers while providing the tone that meets your taste.

The noise-floor and signal resolution of any monitoring system is critical to its performance. Whether you're using the analog or digital inputs, you need to be able to control the gain staging between the monitor controller and the speaker system. Dynaudio has provided a range of 0 dBu to +24 dBu to match the input sensitivity to the output level. Once optimized, Core 47 processes all analog signals at a 192 kHz sampling rate for mathematical precision in the advanced DSP processor.

When using the AES input, Core 47's DSP operates at the incoming sample rate and either locks to the AES clock or incoming word clock to maintain the most accurate signal possible. That means if you work in 48 kHz, you can send the signal straight to your speakers in 48 kHz. It's as simple as that. There is no needless sample-rate conversion.

Core 47 is designed for maximum flexibility and performance, where a relatively compact size and superb midrange detail are desirable. This includes music recording studios, TV dub stages, edit suites, broadcast trucks, ADR facilities, and game authoring suites. It also makes an excellent surround monitor in broadcast and theatrical dub stages including multichannel immersive-audio rooms and custom installations.

Related Questions and Answers

Q: 1. It has 1x XLR 3-Pin Balanced Input. Is it for balanced AES/EBU cable with XLR connector, or XLR audio cable?

A: The Dynaudio Acoustics LYD 48 3-Way Nearfield Speaker Monitor (Left, Black) has a balanced XLR input for analog audio signal. It should not be used to connect digital audio signal from AES/EBU cable.

Q: 2. Which sub pairs with these?

A: The Genelec G Three 2-Way Powered Bookshelf Speaker (RAW Aluminum, Single), BH # GEG3BRW, will pair nicely with the Genelec F Two 8 1/16" 150W Subwoofer (White), B&H # GEF2BWMWHT.

Q: 3. What is the ideal speaker wire to get for these speakers? What's the highest gauge can I use with these speakers?

A: I suggest using 14-gauge speaker wire for cable runs up to 100' feet. Anything heavier is simply wasteful if you are using a quality, sufficiently powered amplifier/receiver.

Q: 4. How do you connect these speakers to the a/v ports on the back of a television?

A: A cable like this one: https://bhpho.to/37REQBi

Q: 5. is the speaker is good for hi fi sound hi fi system.is it best for hi fi music system or home theater system?

A: I'm using it for my home theater with Yamaha 3040 receiver. The sound is great.I haven't test it for HiFi sound. So, can't really tell.

Q: 6. Do the speakers come with the usb cable? Thank you.

A: Yes, this model comes with all you need to get started out of the box.

Q: 7. im from India.. It's International Warranty?

A: The included warranty is USA only.

Q: 8. on the back of the speaker that has on has a ac adapter and the other wire that has 2 wires how do they connect to the speaker.?

A: Both wires just plug-in. As you say, one is for the AC adapter and the other is the wore which goes to the woofer.

Q: 9. Its can use Yamaha RX A2070?

A: This Yamaha receiver is compatible with these SONY floorstanding speakers.

Q: 10. How to disintegrate with Atmos speakers

A: Use these as your front, left and right pair. Add these by setting them atop the floor standing speakers for Dolby ATMOS integration: Sony SS-CSE Atmos Add-On Speakers (Pair) - B&H # SOSSCSE