Focusrite Red 8line Rackmount 58x64 Dante/hdx/thunderbolt 3 Audio Interface
- Product Code: ga86444
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For professional engineers who need a broad array of analog and digital I/O, top-of-the-line sonics, and instant DAW-to-DAW switching, the Focusrite Red 8Line rackmount 58x64 Dante/HDX/Thunderbolt 3 audio interface is the Red Series' ultimate single-box solution for studio, stage, and postproduction environments incorporating audio-over-IP networks.
Equipped with two ultraclean, remotely controllable Red Evolution mic preamps, the Red 8Line offers robust gain (up to 63 dB), phantom power, high-pass filtering, polarity switching, and the Focusrite Air mode, which recreates the sound of transformer-based mic pres from the ISA range. Two 1/4" Hi-Z inputs are positioned on the front panel for directly connecting electric instruments such as guitar and bass, no DI boxes needed.
Eight balanced line-level analog inputs are available via a DB25 connector should you want to hook up external mic preamps or direct outputs from a console. Plenty of analog outputs are provided, too. With eight line outputs, two monitor outputs, and two independent high-fidelity headphone outputs, the Red 8Line can easily accommodate your outboard gear, monitoring system, and headphone mixes for multiple artists.
Integrating and synchronizing digital equipment is no problem for the Red 8Line, thanks to ADAT and S/PDIF digital audio I/O, and BNC jacks for wordclock and Loop Sync inputs and outputs. Fluidly operate the interface using its straightforward front-panel controls and three-color LCD screens, or use RedNet Control software to configure monitoring and routing setups in a hurry.
The Red 8Line features a standard IEC inlet for powering through an AC outlet. A premium bonus supplied with the Red 8Line is the bundle of plug-ins, which include Focusrite's Red 2 equalizer and Red 3 compressor, and the Brainworx bx-console Focusrite channel strip plug-in, a stellar digital emulation of the legendary and rare Focusrite Studio Console. Only 10 of the consoles were ever produced, but you can access its famed sound directly in your DAW.
Studio, Live & Postproduction Engineers 2 Thunderbolt 3, Dante & Mini-DigiLink 2 Mic/Instrument Preamps, 8 Line Inputs Outputs: 2 Headphone, 2 Monitor, 8 Line 24-Bit / 192 kHz AD/DA AC Powered / Mac, Windows Monitor Control, DAW Switching, 3 LCDs Comprehensive Remote Control Wordclock, Loop Sync, ADAT & S/PDIF I/O Plug-Ins: Focusrite SC, Red 2, and Red 3
Key Specs | |
---|---|
Channels of I/O | Thunderbolt: 58 Inputs / 64 Outputs DigiLink: 58 Inputs / 64 Outputs Dante: 32 Inputs / 32 Outputs Analog: 8 Inputs / 14 Outputs ADAT: 16 Inputs / 16 Outputs |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | 2 |
Analog Audio I/O | 2x XLR 3-Pin Balanced Mic Input 2x 1/4" TS Unbalanced Hi-Z Input 1x DB-25 25-Pin Balanced Line Input (AES 59/Tascam Pinout) 1x DB-25 25-Pin Balanced Line Output (AES 59/Tascam Pinout) 2x 1/4" TRS Balanced Monitor Output 2x 1/4" TRS Unbalanced Headphone Output |
Digital Audio I/O | 2x TOSLINK Optical ADAT Input 2x TOSLINK Optical ADAT Output 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Output |
Host Connection | 2x USB-C 2x DigiLink Mini |
OS Compatibility | macOS 10.12 macOS 10.13 macOS 10.14 macOS 10.15 Windows 10 |
Power Requirements | AC Input |
Parameters | |
Channels of I/O | Thunderbolt: 58 Inputs / 64 Outputs DigiLink: 58 Inputs / 64 Outputs Dante: 32 Inputs / 32 Outputs Analog: 8 Inputs / 14 Outputs ADAT: 16 Inputs / 16 Outputs |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | 2 |
Input Level Adjustment | 1x Knob |
Signal Processing | |
Pad | No |
Gain/Trim Range | XLR Mic Inputs: Up to +63 dB (in 1 dB Steps) 1/4" Hi-Z Inputs: Up to +63 dB (in 1 dB Steps) |
High-Pass Filter | 80 Hz, 12 dB/Octave |
Solo/Mute | No |
Connectivity | |
Analog Audio I/O | 2x XLR 3-Pin Balanced Mic Input 2x 1/4" TS Unbalanced Hi-Z Input 1x DB-25 25-Pin Balanced Line Input (AES 59/Tascam Pinout) 1x DB-25 25-Pin Balanced Line Output (AES 59/Tascam Pinout) 2x 1/4" TRS Balanced Monitor Output 2x 1/4" TRS Unbalanced Headphone Output |
Phantom Power | 48 V, Selectable On/Off (Selectable on Individual Inputs) |
Digital Audio I/O | 2x TOSLINK Optical ADAT Input 2x TOSLINK Optical ADAT Output 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Output |
Host Connection | 2x USB-C 2x DigiLink Mini |
Host Connection Protocol | Thunderbolt 3 Avid Proprietary |
USB (Non-Host) | No |
Sync I/O | 1x BNC Word Clock Input 1x BNC Word Clock Output 1x BNC Loop Sync Input 1x BNC Loop Sync Output |
Network I/O | 2x RJ45 Dante |
MIDI I/O | No |
Expansion Slots | No |
Performance | |
Frequency Response | XLR Mic Inputs: 20 Hz to 35 kHz ±0.2 dB (Min Gain) 1/4" Hi-Z Inputs: 20 Hz to 35 kHz ±0.2 dB (Min Gain) DB-25 Line Inputs: 20 Hz to 35 kHz ±0.2 dB DB-25 Line Outputs: 20 Hz to 35 kHz ±0.2 dB 1/4" Monitor Outputs: 20 Hz to 35 kHz ±0.2 dB 1/4" Headphone Outputs: 20 Hz to 20 kHz ±0.2 dB |
Maximum Input Level | XLR Mic Inputs: +19 dBu (Min Gain) 1/4" Hi-Z Inputs: +15 dBu (Min Gain) |
Impedance | XLR Mic Inputs: 6.2 Kilohms DB-25 Line Inputs: 20 Kilohms DB-25 Line Outputs: 136 Ohms 1/4" Hi-Z Inputs: 2.3 Megohms 1/4" Headphone Outputs: 10 Ohms 1/4" Monitor Outputs: 136 Ohms |
Dynamic Range | DB-25 Line Outputs: 121 dB (A-Weighted, 20 Hz to 20 kHz) 1/4" Monitor Outputs: 120 dB (A-Weighted) 1/4" Headphone Outputs: 114 dB (A-Weighted, 20 Hz to 20 kHz) |
SNR | XLR Mic Inputs: 119 dB (A-Weighted, Min Gain) 1/4" Hi-Z Inputs: 117 dB (A-Weighted) DB-25 Line Inputs: 119 dB (A-Weighted, Min Gain) |
THD+N | XLR Mic Inputs: -101 dB / 0.0009% (at -1 dBFS) 1/4" Hi-Z Inputs: -100 dB / 0.001% (at -1 dBFS) DB-25 Line Inputs: -102 dB / 0.0008% (at -1 dBFS) DB-25 Line Outputs: < -104 dB / < 0.0006% (20 Hz to 20 kHz, at -1 dBFS) 1/4" Monitor Outputs: -80 dB / 0.01% (20 Hz to 20 kHz, at -1 dBFS) 1/4" Headphone Outputs: < -75 dB / < 0.018% (20 Hz to 20 kHz) |
EIN | XLR Mic Inputs: < -129 dBu A-Weighted |
Digital Audio | |
Sample Rates | 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz |
Sample Rate Conversion | No |
Bit Depths | 24-Bit |
Sync Sources | ADAT, Dante, Internal, Loop Sync, S/PDIF, Word Clock |
Clocking | Word Clock: Input Termination: 75 Ohms |
Audio Storage & Playback | |
Media/Memory Card Slot | No |
Compatibility | |
OS Compatibility | macOS 10.12 to 10.15 / Windows 10 or Later |
OS Compatibility | macOS 10.12 macOS 10.13 macOS 10.14 macOS 10.15 Windows 10 |
Mobile Device Compatibility | No |
Required Hardware | Available Thunderbolt 3 Port Thunderbolt 3 Cable (Included) |
Power | |
Power Requirements | AC Input |
AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
Power Consumption | 120 W |
Physical | |
Rackmount Size | 1 RU |
Dimensions | 19 x 13.5 x 1.73" / 48.3 x 34.3 x 4.39 cm |
Weight | 10.7 lb / 4.9 kg |
Packaging Info | |
Package Weight | 14.35 lb |
Box Dimensions (LxWxH) | 23.3 x 18.2 x 4" |
With both dual Mini-DigiLink and dual Thunderbolt 3 connections, it's possible to instantly switch between Pro Tools and other DAW applications without the need to reconfigure your audio settings. Simply change the host mode via the RedNet Control software or the Red 8Line front panel to change DAWs in seconds. This ability to quickly switch between production environments means you'll never lose that moment of inspiration or leave your clients waiting.
Two onboard Dante ports enable communication with industry-standard audio-over-IP equipment from hundreds of manufacturers. Dante makes it easy to expand your system, embrace new ways of working, and discover rapid system expansion using Focusrite RedNet interfaces or devices from third parties such as Neve, Yamaha, and DiGiCo.
The Red 8Line is outfitted with high-performance AD/DA converters that support up to 24-bit / 192 kHz resolution. With 119 dB dynamic range for the A-D and 121 dB dynamic range for the D-A, the interface ensures no-compromise recording and audio playback. The converters have been expertly selected and calibrated by Focusrite to provide the optimal balance of sound quality, dynamic range, and conversion latency.
The two Red Evolution mic preamps provide up to 63 dB of ultraclean gain, phantom power, high-pass filtering, polarity inversion, and Focusrite's Air mode. Plus, they are remotely controllable for added convenience. Dual front-panel instrument connections allow immediate access to instrument inputs, even when racked.
Rear-panel DB25 connectors offer eight channels of balanced analog line-level inputs and outputs, perfect for plugging in your favorite outboard gear, console channel strips, external mic preamps, or multichannel AD/DA converters.
Independent L/R monitor outputs and two stereo headphone outputs are built-in for connecting your primary monitors and headphones for two people. The high-fidelity dual headphone outputs are powerful enough to deliver loud audio even on high-impedance headphones.
Utilize the TOSLINK optical ports for up to 16 input and output channels of ADAT digital audio. RCA coaxial jacks are also present for connecting digital equipment with stereo S/PDIF I/O.
When you need tight, accurate synchronization with other digital equipment, the Red 8Line's BNC ports are ready. Wordclock and Loop Sync I/O are there, so you can merge the interface into configurations with Pro Tools gear, house clock, and more.
Onboard monitor control supports mono, stereo, and multichannel monitoring environments up to 10 channels, including 7.1.2. Utilize RedNet Control software for quick setup of complex monitoring and routing configurations, and control of the preamps remotely. Compatibility with the Focusrite RedNet R1 desktop remote controller (available separately) allows even greater flexibility and customized presets for immersive monitoring environments such as Dolby Atmos.
Red 8Line features the latest implementation of Thunderbolt 3, with Focusrite's session-proven, ultralow-latency, rock-solid Thunderbolt drivers. This speed provides the flexibility to use DAW plug-ins in real time, so you can harness the processing power of your DAW to track through plug-ins and record virtual instruments. With two Thunderbolt 3 ports as standard, it's also possible to daisy-chain Thunderbolt devices, such as third-party plug-in accelerators, hard drives, external 4K displays, processing units, and Thunderbolt hubs.
The software bundle includes the Brainworx bx_console Focusrite SC channel strip from the original Focusrite Studio Console, plus the Red 2 EQ and the Red 3 compressor plug-ins, which accurately reproduce the sonic qualities of the original Red hardware. Also, the included Focusrite Plug-in Collective membership provides access to frequent free downloads from innovative music software brands.
Related Questions and Answers
Q: 1. No reason it won't work with Adobe Audition... right?
A: The Focusrite Scarlett series interfaces work seamlessly with most DAW software. Adobe Audition should have no issues as well.
Q: 2. Can you route (via Dante Controller) separately to Headphone and Line Out? As in, are they separate Dante Receivers, or do you send it one signal and both headphone and line out get the same signal?
A: The AM2 has 2 channel I/O which means you can both listen to , and monitor 2 Dante channels. There is no way to split them up between the headphone out and line out.Thank you for your question.
Q: 3. Might be a dumb question but can I use this with an older ( 2012 )MacBook that uses the larger USB ports with just an adapter cable?
A: Yes this will work with your Macbook no problem The Focusrite scarlett 18i20 comes with the USB cable which is type A that will plug into your mac.
Q: 4. Hi Dan, does the headphone output of the RedNet X2P show up on the Dante network? or do i have to purchase the RedNet AM2?
A: You are correct, you need to purchase the Rednet AM2 for full control of the headphone out put on a Dante network. Thank you for shopping at B&H!
Q: 5. On Windows 8.1, do the different channels appear in separate devices or do they show up as separate channels on a single device?
A: Tim, These use a focusright scarlett software as a controller that displays all the channels in a single mixer style software consol. Regards,Rob
Q: 6. What is the improvement from the 18i8 first generation to the second generation 18i8?
A: The primary improvement is sampling up to 192k/24-bit, as opposed to the first version which topped out at 96k/24-bit. Focusrite also claims to have improved headroom on instrument input and better gain structure. Also, only the second generation works with the new Focusrite software app. I've been very happy with my second-generation 18i8 (so happy that I replaced a FastTrack Ultra 8R on my music computer with a Scarlett 18i20). If you get one, I'd recommend either having a fast computer or making sure there are a minimum of background processes running when you use. I also set the ASIO buffers quite high. Hope this helps.
Q: 7. How many of the inputs can be recorded simultaneously are are available inside a DAW?
A: You can record up to 18 mono channels at a time.
Q: 8. 8 inputs?4 xlr mics and 4 1/4 simultaneously ?
A: The Focusrite Scarlett 18i8 features (4) XLR mic pre's on the front panel as well as (4) 1/4 line inputs on the rear all accessible simultaneously.
Q: 9. Will the REDNET A16R MKll work with the Focusrite R1 monitor controller?
A: Yes, the Focusrite RedNet A16R MkII Rackmount 16x16 Dante Analog Audio Interface is compatible for use with the Focusrite RedNet R1 Desktop Remote Controller for Red Interfaces / Dante Devices.
Q: 10. Does the I/O DB25 XLR cables come with the unit?
A: No I/O cables are include with this unit. You would need to purchase the proper I/O cables based on what gear you are connecting to this.
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