Laird Digital Cinema Belden 1694a Rg6 Rf Coaxial Cable (100')
- Product Code: ga88792
-
Connect your professional and critical devices with the 100' Laird Digital Cinema Belden 16964A RG6 RF Coaxial Cable. It features Canare F-type connectors with a non-bendable center pin for enhanced durability. This coaxial cable is suitable for both analog and digital applications.
18 AWG Wire Male Screw-Type Connectors Gas-Injected FHDPE Insulation PVC Jacket
Parameters | |
---|---|
Connector 1 | Canare F-Type Male |
Connector 2 | Canare F-Type Male |
Cable Length | 100' / 30.48 m |
Gauge | 18 AWG |
Center Conductor | Bare Copper |
Jacket Type | PVC (Polyvinyl Chloride) |
Insulation | Gas-Injected FHDPE (Foam High-Density Polyethylene) |
Outer Shield | Duofoil |
Impedance | 75 &pm1.5 Ohms |
Weight | 5.12 lb / 2.32 kg |
Packaging Info | |
Package Weight | 4.29 lb |
Box Dimensions (LxWxH) | 16.65 x 11.25 x 2.3" |
- Designed for professional and critical applications
- Canare heavy-duty machined F-type connectors with fixed, non-bendable gold center pin for heavy duty use
- Belden serial digital super flexible coaxial cable for all analog and digital applications
Related Questions and Answers
Q: 1. Is this compatible with Canon RF camera like the R5C? Are there features that won't be enabled?
A: No, the RED DIGITAL CINEMA V-RAPTOR RF to PL Adapter Pack is designed to be fully compatible only with the RED V-RAPTOR VV & S35 Cameras.
Q: 2. This doesn't look like it has backfocus adjustment. Does it have a way to adjust backfocus?
A: The RED DIGITAL CINEMA KOMODO RF to PL Adapter Pack is shimmable and resistant to environmental temperature changes, providing consistent and precise back focus.
Q: 3. which is better REDCODE HQ or REDCODE RAW?
A: The differences in REDCODE HQ and REDCODE RAW have more to do with the software you use to work with these during your post workflow. We're assuming your are referring to REDCODE RAW HQ, which does result in a larger file and carries additional data and therefore greater image signal information than REDCODE RAW.
Q: 4. Does the dual SDI ports of the camera support combined output such as 8k/30 or 4k/120?
A: No, the RED DIGITAL CINEMA V-RAPTOR 8K VV DSMC3 Camera (Canon RF, Black) does not offer dual link SDI output for 8K resolution at 30 fps or 4K resolution at 120 fps.
Q: 5. Is there a Super 35 sensor option? For S35 lenses (anamorphic, etc.), the camera will crop into 6K otherwise which means less resolution than EPIC-W/DSMC2.
A: There is only 1 sensor for the V-Raptor Camera. RED may create a Super 35mm DSMC3 Camera in the future but at this time the V-Raptor is the first and only DSMC3 camera. It is 8K in Vista Vision and 6K in Super 35mm.
Q: 6. Will the RED KOMODO Wing Grip still mount on the sides?
A: The RED DIGITAL CINEMA KOMODO Side Ribs (Left, Right) included with the RED DIGITAL CINEMA KOMODO RF to PL Adapter Pack can mount the RED DIGITAL CINEMA KOMODO Wing Grip using the M4 screws.
Q: 7. Can I use the BMD Video Assist 7 inches 3G on this using SDI outputs?
A: yes you can use the BMD video assist on this as a Video monitor, the SDI outputs will output a standard linear SDI video signal
Q: 8. Does this camera crop in to each lower resolution like every other RED Digital Cinema camera?
A: Yes it does.
Q: 9. Does lens stabilization work on RF lenses? (Obviously just the lens part since there's no in body)
A: Lens stabilization on the RED DIGITAL CINEMA V-RAPTOR 8K VV DSMC3 Camera (Canon RF, Black) is available with selected RF lenses. Those lenses include, but are not limited to: Canon RF 15-35mm f/2.8 L IS USM1 Canon RF 24-70mm f/2.8 L IS USM2 Canon RF 24-105mm f/4 L IS USM3 Canon RF 24-240mm f/4-6.3 IS USM4 Canon RF 28-70mm f/2 L USM Canon RF 35mm f/1.8 Macro IS STM Canon RF 50mm f/1.2 L USM Canon RF 70-200mm f/2.8 L IS USM Canon RF 85mm f/1.2 L USM DS Canon RF 100-500mm f/4.5 -7.1 L IS USM5 Canon RF 800mm f/11 IS STM6
Q: 10. How fast is switching between the PL adapter and an EF adapter? And what's the best way to it quickly?
A: RED DIGITAL CINEMA KOMODO RF to PL Adapter Pack can be changed in the field. However, we will caution that this change needs to be done carefully preferably inside in a dust free environment.
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