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Panasonic Lumix S5 Mirrorless Camera With 20-60mm Lens And Accessories Kit

Panasonic Lumix S5 Mirrorless Camera With 20-60mm Lens And Accessories Kit
  • Product Code: ga91711
  • Availability: In Stock

$5,093.97 $6,520.28

Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.

In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions.

Lumix S 20-60mm f/3.5-5.6 Lens    Memory Card    Camera Bag

Key Specs
Lens MountL-Mount
Sensor ResolutionActual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor35.6 x 23.8 mm (Full-Frame) CMOS
Image StabilizationSensor-Shift, 5-Axis
ISO Sensitivity RangePhoto
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Continuous ShootingMechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Internal Recording ModesH.264/MOV 4:2:2 10-Bit
3328 x 2496 at 23.98/25/29.97 fps [150 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
H.264/MOV 4:2:0 8-Bit
3328 x 2496 at 23.98/25/29.97/50 fps [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [100 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [20 to 28 Mb/s]
H.265/MOV 4:2:0 10-Bit
3328 x 2496 at 50 fps [200 Mb/s]
UHD 4K (3840 x 2160) at 50/59.94 fps [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [72 to 100 Mb/s]
External Recording Modes4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) up to 50/59.94 fps
Raw 12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
3536 x 2656 at 23.98/25/29.97/50 fps
4128 x 2176 at 23.98/25/29.97/50/59.94 fps
Media/Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O1x Micro-HDMI (Unspecified Signal) Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1x USB-C Input
Other I/O1x USB-C (USB 3.2 / 3.1 Gen 1) Data Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
WirelessWi-Fi, Bluetooth
Display TypeArticulating Touchscreen LCD
Battery Type1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 440 Shots)
Imaging
Lens MountL-Mount
Sensor ResolutionActual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor35.6 x 23.8 mm (Full-Frame) CMOS
Sensor Crop (35mm Equivalent)Crop Factor: 1x
Additional Modes: 1.5x
*Additional Crop Occurs in Select Video Modes
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNo
Capture TypeStills & Video
Exposure Control
Shutter TypeMechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter SpeedMechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes
Electronic Shutter
1/8000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
Bulb/Time ModeBulb Mode
ISO Sensitivity RangePhoto
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Metering MethodCenter-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Metering Range0 to 18 EV
White BalancePresets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set
Continuous ShootingMechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes3:2 Raw
24 MP (6000 x 4000)
4:3 JPEG
21.5 MP (5328 x 4000)
10.5 MP (3792 x 2848)
5.5 MP (2688 x 2016)
3:2 JPEG
24 MP (6000 x 4000)
12 MP (4272 x 2848)
6 MP (3024 x 2016)
16:9 JPEG
20 MP (6000 x 3368)
10 MP (4272 x 2400)
5 MP (3024 x 1704)
1:1 JPEG
16 MP (4000 x 4000)
8 MP (2848 x 2848)
4 MP (2016 x 2016)
65:24 JPEG
13 MP (6000 x 2208)
2:1 JPEG
18 MP (6000 x 3000)
Aspect Ratio1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File FormatJPEG, Raw
Bit Depth14-Bit
Video Capture
Internal Recording ModesH.264/MOV 4:2:2 10-Bit
3328 x 2496 at 23.98/25/29.97 fps [150 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
H.264/MOV 4:2:0 8-Bit
3328 x 2496 at 23.98/25/29.97/50 fps [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [100 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [20 to 28 Mb/s]
H.265/MOV 4:2:0 10-Bit
3328 x 2496 at 50 fps [200 Mb/s]
UHD 4K (3840 x 2160) at 50/59.94 fps [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [72 to 100 Mb/s]
External Recording Modes4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) up to 50/59.94 fps
Raw 12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
3536 x 2656 at 23.98/25/29.97/50 fps
4128 x 2176 at 23.98/25/29.97/50/59.94 fps
Fast-/Slow-Motion SupportYes
Gamma CurveHDR-HLG, Panasonic V-Log
Recording LimitUp to 30 Minutes
IP StreamingNo
Built-In MicrophoneStereo
Audio Recording AAC Audio
LPCM Audio
Interface
Media/Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O1x Micro-HDMI (Unspecified Signal) Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1x USB-C Input
Other I/O1x USB-C (USB 3.2 / 3.1 Gen 1) Data Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
WirelessWi-Fi, Bluetooth
Mobile App CompatibleYes: Android & iOS
App Name: Panasonic LUMIX Sync
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, Setup, View Live Feed
Global Positioning (GPS, GLONASS, etc.)GPS
*Via Connected Smartphone
Monitor
Display Size3.0"
Resolution1,840,000 Dot
Display TypeArticulating Touchscreen LCD
Viewfinder
TypeBuilt-In Electronic (OLED)
Resolution2,360,000 Dot
Eye Point20 mm
Coverage100%
MagnificationApprox. 0.74x
Diopter Adjustment-4 to +4
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsContrast Detection: 225
Autofocus Sensitivity-6 to +20 EV
Flash
Built-In Flash/LightNo
Flash ModesAuto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed1/250 Second
Flash Compensation-3 to +3 EV (1/3 EV Steps)
Dedicated Flash SystemTTL
External Flash ConnectionShoe Mount
General
Battery Type1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 440 Shots)
Shoe Mount1x Hot Shoe
Tripod Mounting Thread1x 1/4"-20 Female (Bottom)
Material of ConstructionMagnesium Alloy
Operating Conditions32 to 104°F / 0 to 40°C at 10 to 80% Humidity
Dimensions (W x H x D)5.22 x 3.82 x 3.22" / 132.6 x 97.1 x 81.9 mm
Weight1.57 lb / 714 g (With Battery, Recording Media)
1.39 lb / 630 g (Body Only)
Packaging Info
Package Weight2.935 lb
Box Dimensions (LxWxH)9.2 x 6.1 x 5.6"

Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes.

In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available.

Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.

Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.

  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.

  • High-resolution 2.36m-dot OLED EVF offers a clear 0.74x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.

  • Rear 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.

  • Durable, weather-sealed construction is splash and dust-resistant to accommodate working in harsh weather conditions and trying environments.

  • Dual SD memory card slots—one UHS-II-compatible slot, one UHS-I-compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.

  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type D port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.

  • DMW-BLK22 rechargeable lithium-ion battery is rated for approximately 440 shots per charge when working with the rear monitor, 470 shots per charge with the EVF, and 1500 shots per charge when Power Save LVF mode is on.

  • High-precision shutter mechanism offers a top mechanical speed of 1/8000 sec and a flash sync speed of 1/250 sec.

Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake.

For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.

Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:

  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.

  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.

  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.

Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.

  • By using sensor-shift stabilization technology, the S5 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.

  • HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.

  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.

  • Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.

  • Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.

  • Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.

Firmware version 2.3 adds raw video data output over HDMI to Blackmagic Video Assist 12G HDR [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit. Raw video data can be output over HDMI to Blackmagic Video Assist 12G HDR to be recorded as Blackmagic RAW.

Related Questions and Answers

Q: 1. Does it crop at 60fps?

A: The Panasonic Lumix S5 IIX Mirrorless Camera crops to APS-C above 29.97 in UHD and HD.

Q: 2. Can the S5IIX record in integer 24P (not 23.976) like the GH6 & GH5II?

A: The Panasonic Lumix S5 IIX Mirrorless Camera with 20-60mm Lens can record 24P as well as 23.76.

Q: 3. Is there an add-on optical low pass filter that can be added to this camera or lens?

A: This Kolari Vision hot mirror filter acts like a native Low-Pass Filter and fits the 2 lenses in the Panasonic kit: https://bhpho.to/3ujjuFv

Q: 4. Can the dust cover doors be removed, or stay open with cables plugged in?

A: The rubber doors protecting the cable ports on the Panasonic Lumix S5 IIX Mirrorless Camera cannot be removed.

Q: 5. Any sync TimeCode/receive TC options?

A: No, there is no flash sync port on the S5II or S5IIX. Also, the Panasonic Lumix S5 IIX can send timecode out via the HDMI output. If you are looking to sync this camera model with timecode to sync other cameras the 3.5mm Audio input would be able to work with many time code generators like the Deity TC1. Deity Microphones TC-1 Wireless Timecode Generator Box (Bluetooth, 2.4 GHz) BH #DEDTT0272D80

Q: 6. What is the BEST adapter available to mount Nikon F lenses?

A: We recommend using the Metabones G/F-mount to Panasonic/Leica L-mount adapter (https://bhpho.to/3dWtutx) with the Lumix S5 II X. Please note that there is no electronic communication between the camera and lens as most (if not all) of the adapters available for F-to-L mount conversion are manual.

Q: 7. Is there a maximum size sd card that is compatible with this camera?

A: The Panasonic Lumix S5 IIX Mirrorless Camera uses SDXC memory cards which can be made in sizes up to 2TB.

Q: 8. Does it have a clean HDMI out?

A: Yes, the Panasonic Lumix S5 IIX Mirrorless Camera can provide a clean HDMI output.

Q: 9. Still crop at 4k 60fps?

A: The Panasonic Lumix S5 IIX Mirrorless Camera can shoot 10 bit 4:2:2 4K 17/9 and 16/9 up to 30P using the full sensor, or 10 bit 4:2:2 4K 17/9 and 16/9 up to 60P using a super 35 crop on the full frame sensor.

Q: 10. Does the S5 IIx have illuminated buttons and body markings like the S1H?

A: Unfortunately, the Panasonic Lumix S5 IIX does not offer illuminated buttons or body markings like the S1H.

26/09/2024

I read all the reviews and all the griping about autofocus but with the correct lens and the correct settings it just really isn't an issue for me! This camera is very lite and perfect for vlogging. I have it mounted on a gorillapod with a 12mm f/1.4 Panasonic Leica lens with a Movo mic and it's the perfect setup for me! The settings are laid out well and very easy to get to for on the fly changes. Great video and the battery life is actually really awesome. Don't hesitate to get this camera for video!

5
11/09/2024

I collect Movie icons life size displays and this camera was my first high end camera . I was shocked how easy it is to you and produce such great pictures with my limited knowledge . I love how it transfers straight to my pc or phone.

5
29/08/2024

Upgrading from the world of point and shoot I certainly stressed over the purchase of my first interchangeable lens camera. So many brands and choices to choose between, and really not a lousy camera or system among them. In the end I went with the Panasonic G85 and couldn't be happier. I wanted an ILC that was accessible for a beginner, but still advanced enough that I could grow into. Great ergonomics, build quality, photo quality, and selection of lenses. Perhaps an interesting choice for someone who doesn't do video (yet), but the G85 certainly works for me.

5
27/08/2024

We bought this as an upgrade from our (already excellent) G7 cameras and WOW the G85 is offers one of the best bang for the buck ratios in this price range, or even slightly higher. We regularly hire freelancers with various Sony A7SII and A6500 gear, and it's often very hard to tell the difference between the G85 footage and footage from other gear. In fact, we're often able to get shots that the other cameras didn't because of the G85's combination of size, great battery life, flip-out LCD, lack of overheating, and excellent built-in stabilization. That's not to say the shots would have been impossible with other cameras, just that we were able to easily capture shots that would have been more difficult (or very challenging) with the other cameras. For example, we were able to keep the G85 running without fear of overheating where the Sony camera's shut down, and we were able to capture some in-the-car moments using the LCD and stabilization where the Sony's lack of articulating LCD would have made it very challenging. Of course, Sonys (and Canons and Nikons etc) all have their own excellent stand-out features as well! There's no one size fits all situations for cameras. But for our workflow and jobs, the G85 checks off the most boxes for our needs.

5
25/08/2024

For the price of just the camera body for most other brands, this one comes with two useful kit lenses.


20-60mm on a full frame is quite a nice lens for travel. And 50mm is always a great, first time prime, for any camera system.

5
24/08/2024

My first full frame mirrorless and I couldn’t be happier.

5
15/08/2024

I moved from Fuji XT5 and have no regrets. The camera is awesome for the LUTs and quick decent AF detection. The only downsize I didn’t like is their lens being a bit larger than other markets lens. But the colors for the lens are something cool from LUMIX

5
27/06/2024

Perfect FF camera for my workflow as a one-man-band filmmaker. The IBIS and autofocus is fantastic. Picture quality is top notch. I also really love being able to record right to an SSD. The carrying bag that comes in this bundle is also super nice.

5
25/06/2024

I had a Sony a7iv I purchased and used on video shoots for 2 years . It replaced my LUMIX GH 5 because I needed reliable auto focus and full frame, which the Sony delivered. Well LUMIX has finally caught up with its s5ii & iix and its other features for video shooters just couldn’t be ignored so I sold the Sony and got the S5iix. . Pretty happy so far although I had gotten used to Sony menu system and the LUMIX menu is a BEAR to navigate.

5
03/05/2024

I've had it for about a month and I already love my S5iiX. The autofocus is fantastic, the IBIS is incredible for a full frame camera, and the image quality is top notch.


There is no role this camera cannot fill. It has the IBIS and small form factor to perform well as a handheld run and gun camera. It has the image quality and features to shine in a more traditional, lockdown-on-a-tripod role. And it has the high-end codecs to function as a cinema camera.


In short, it does everything I could ask and I cannot recommend this camera enough.

5

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