The Lynx Studio Technology Aurora⁽ⁿ⁾ 24 HD2 is preconfigured with 24 analog ins and 24 analog outs on six DB-25 connectors. It is also equipped with a Lynx LT-HD2 Pro Tools HD and HDX interface card that emulates the interface characteristics of the Avid HD I/O converter, allowing seamless operation with Avid systems including HDX and HD Native.

The Aurora⁽ⁿ⁾ 24 HD2 is a mastering-grade 24-in / 24-out AD/DA converter, which supports up to 24-bit / 192 kHz conversion. Design and technology borrowed from the development of Hilo converters is used to significantly improve specifications and transparency over previous models, while attaining stunning Hilo-like performance. Ideal for audio engineers and producers who demand the most pristine recordings and mixes, the 24 HD2 delivers coloration- and degradation-free signal for mission-critical audio applications in studios, mastering facilities, remote recordings, broadcast and live performance facilities.

The unit features an onboard microSD player/recorder capable of up to 32 channels of direct recording and playback, ideal when working in the field. Two headphone outputs with independent volume control let you monitor your sound with audiophile-grade precision, while a bright TFT LCD display gives you immediate access to all levels and functions, right from the front panel.

24-In / 24-Out AD/DA, 24-Bit / 192 kHz    Lynx LT-HD2 Pro Tools HD/HDX Interface    1-In / 3-Out SynchroLock 2 Word Clock    Hilo Converter Technology (HCT)    Onboard 32-Channel microSD Recorder    Two Audiophile-Grade Headphone Outputs    Future-Proof LSlot Design    Road-Ready Rackmount Reinforced Chassis    Full Windows and Mac Compatibility

• The LT-HD2 allows the Aurora⁽ⁿ⁾ to be used in all current Pro Tools HD systems.
• Connected via mini-Digilink cables (available separately) to HD Core, Accel Core, HDX, or Native cards, Pro Tools recognizes the Aurora⁽ⁿ⁾ converter and controls all input and output functions, clocking, routing, and other settings.
• The LT-HD2 features one Primary and one Expansion mini-DigiLink port. Aurora supports full channel count at sample rates up to 192 kHz.
• Pro Tools users can benefit from Lynx’s proprietary SynchroLock 2 wordclock technology for very low jitter and low distortion of digital signals.

• The analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This offers many sonic advantages like significantly reducing crosstalk and distortion, while increasing dynamic range and performance.

• Proprietary, SynchroLock 2 high-performance sample-clock technology provides a whopping 300,000:1 reduction in jitter, 5-second lock time, and absolute accuracy.
• Wordclock I/Os provides one input and three outputs on BNC connectors.

Add Channels:

• Start with eight, sixteen, or twenty-four channels and later add additional groups of eight channels for up to thirty two total.

Add Modules:

• Digital I/Os, mic preamps; more are being designed now for future release.

Add Connectivity Options:

• Dante, Thunderbolt 3, or USB via LSlot cards (available separately).

• Mastering-quality, 24-in / 24-out AD/DA conversion at up to 24-bit / 192 kHz.
• 24 analog ins and 24 analog outs on six DB-25 connectors.
• Preinstalled Lynx LT-HD2 Pro Tools HD and HDX interface card.
• Wordclock I/O: one input and three outputs on BNC connectors.
• Onboard microSD player/recorder capable of up to 32 channels of direct recording and playback.
• Two audiophile-grade headphone outputs with independent volume control.
• 480 X 128 TFT LCD display provides immediate access to all levels and functions and ensures that you see every piece of critical data, from just about any viewing angle.
• Universal power supply built in, no wall warts.
• 1 RU rack-space design with no fan provides silent operation, so you can keep unit in the recording room, with no need for isolation from distracting fan noise.
• Full Windows and OSX compatibility.
• Designed and built in Southern California, USA.

Related Questions and Answers

Q: 1. Does this model use the AKM chipset?

A: The RME ADI-2/4 Pro SE 2-AD/4-DA 768 kHz, High-Performance Converter uses the ES9822Pro chip.

Q: 2. Can this convert 16 channel analog input as well as 16 channel ADAT input at the same time to Dante?

A: The high-density converter provides 16 x 16 balanced analoge TRS-I/Os and can handle pro studio levels up to +20dBu – adjustable in 1 dB steps. Optional +24 dBU I/Os and/or CV outputs are available. Combined with a temperature-compensated high-precision clock and an active jitter reduction hardware design, the 354-channel DX delivers an exceptional detailed sound. On the digital side, the multi-format device provides an optical MADI I/O with 64 I/Os. 2 x 4 ADAT ports can convert all 16 analog I/Os – even with up to 96 kHz. On top of it, the DX adds 64 x 64 channels (bi-directional transmission and port redundancy) of Dante/AES67 to an already impressive array of various I/Os – unique in this size and price range. The Pulse16DX incorporates a Word Clock I/O and a MIDI I/O for embedding signals and remote control of the unit. Many popular features from the flagship A32 have been added as well: Preset Management, Panel Lock and the sophisticated routing matrix. The PULSE16 DX provides a sophisticated internal matrix for the free routing and splitting of all 176 Ins to all 176 Outs in blocks of 8 channels. The headphone output on the front allows it to monitor every mono or stereo I/O directly on the unit.

Q: 3. What are the differences between the pro and the non-pro version?

A: New Shark chipset, Black Face, extended remote better audio specs that match the ADI2 DAC FS.

Q: 4. I'm planning use same speakers for HTPC and turntable. Can I use that device as some kind of pre / pro with turntable when my HTPC will be switch off? And if answer is yes then how can I set up volume?

A: The The Aurora 16 USB from Lynx Studio Technology will not operate in standalone mode. A more appropriate device for your HTPC setup would be the RME Fireface UFX II USB Audio Interface; B&H# RMUFX2.

Q: 5. Would official support for Windows 10 be possible in the near future?

A: Lynx Studio Technology currently supports AES16e users using Microsoft Windows 10.

Q: 6. Is the DSD in this model a Quad-DSD (DSD256)?

A: This device can handle DSD256 playback.

Q: 7. Can the adi-2 pro FS be used as an audio interface to record analog input to Adobe audition and other DAW?

A: Yes this will act as an interface for direct input into your computer.

Q: 8. What is the DSD sampling rate?

A: The RME ADI-2/4 Pro SE 2-AD/4-DA 768 kHz, High-Performance Converter supports sample rates between 44.1 kHz and 768 kHz and DSD will not become active at sample rates below 176.4 kHz. The DSD rate changes with the chosen sample rate. Sample rates higher than 192 kHz and DSD128/256 are only available in 2-channel mode. At a sample rate of 768 kHz, which is the highest available sample rate, the DSD rate is 256.

Q: 9. Does the CD player connect to the Analog Inputs in the back panel? What type of cable connectors should be used? RCA?

A: The best way to connect a consumer CD player to this unit would be to utilize either the S/PDIF Coaxial or S/PDIF Optical digital inputs. The analog inputs are balanced 1/4-inch TRS or XLR, and usually connect to professional audio gear, such as a mixing board or a CD player, such as the Tascam CD-500B Single-Rackspace CD Player (Balanced), BH #TACD500B.

Q: 10. Will this model play back FLAC files?

A: No, the RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote does not have the ability play back FLAC files directly.