The Lynx Studio Technology Aurora⁽ⁿ⁾ 24 TB3 is preconfigured with 24 analog ins and 24 analog outs on six DB-25 connectors. It is also equipped with a Lynx LT-TB3 two-port Thunderbolt 3 LSlot interface card that provides plenty of extra bandwidth for the demands of multiple channels of audio, even at the highest sample rates.

The Aurora⁽ⁿ⁾ 24 TB3 is a mastering-grade 24-in / 24-out AD/DA converter, which supports up to 24-bit / 192 kHz conversion. Design and technology borrowed from the development of Hilo converters is used to significantly improve specifications and transparency over previous models, while attaining stunning Hilo-like performance. Ideal for audio engineers and producers who demand the most pristine recordings and mixes, the 24 TB3 delivers coloration- and degradation-free signal for mission-critical audio applications in studios, mastering facilities, remote recordings, broadcast and live performance facilities.

The unit features an onboard microSD player/recorder capable of up to 32 channels of direct recording and playback, ideal when working in the field. Two headphone outputs with independent volume control let you monitor your sound with audiophile-grade precision, while a bright TFT LCD display gives you immediate access to all levels and functions, right from the front panel.

24-In / 24-Out AD/DA, 24-Bit / 192 kHz    Lynx LT-TB3 Thunderbolt 3 Interface Card    1-In / 3-Out SynchroLock 2 Word Clock    Hilo Converter Technology (HCT)    Onboard 32-Channel microSD Recorder    Two Audiophile-Grade Headphone Outputs    Future-Proof LSlot Design    Road-Ready Rackmount Reinforced Chassis    Full Windows and Mac Compatibility

• The LT-TB3 card provides digital input and output to Windows and Mac computers using Thunderbolt 3 ports.
• The two-port card supports daisy-chaining Aurora(n) converters (up to six total) with certified Thunderbolt devices, plus a display on both Mac and Windows computers.
• Thunderbolt 3 can support up to a 40 Gb/s bidirectional data rate and is primarily designed to handle the bandwidth demands of multichannel audio and 4K video.

• The analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This offers many sonic advantages like significantly reducing crosstalk and distortion, while increasing dynamic range and performance.

• Proprietary, SynchroLock 2 high-performance sample-clock technology provides a whopping 300,000:1 reduction in jitter, 5-second lock time, and absolute accuracy.
• Word clock I/Os provides one input and three outputs on BNC connectors.

Add Channels:

• Start with eight, sixteen, or twenty-four channels and later add additional groups of eight channels for up to thirty two total.

Add Modules:

• Digital I/Os, mic preamps; more are being designed now for future release.

Add Connectivity Options:

• Dante, ProTools|HD, or USB via LSlot cards (available separately).

• Mastering-quality, 24-in/24-out AD/DA conversion at up to 24-bit / 192 kHz.
• 24 analog ins and 24 analog outs on six DB-25 connectors
• Preinstalled Lynx LT-TB3, two-port Thunderbolt 3 LSlot interface card.
• Wordclock I/O: one input and three outputs on BNC connectors.
• Onboard microSD player/recorder capable of up to 32 channels of direct recording and playback.
• Two audiophile-grade headphone outputs with independent volume control.
• 480 X 128 TFT LCD display provides immediate access to all levels and functions and ensures that you see every piece of critical data, from just about any viewing angle.
• Universal power supply built in, no wall warts.
• 1 RU rack-space design with no fan provides silent operation, so you can keep unit in the recording room, with no need for isolation from distracting fan noise.
• Full Windows and OSX compatibility.
• Designed and built in Southern California, USA.

Related Questions and Answers

Q: 1. Can the unit be connected through the control port with a network switch?

A: The Blackmagic Design Studio Converter can provide external control and software updates which can be accessed through the control ethernet port. The connector will be enabled through software release.

Q: 2. Will this model play back FLAC files?

A: No, the RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote does not have the ability play back FLAC files directly.

Q: 3. Can the adi-2 pro FS be used as an audio interface to record analog input to Adobe audition and other DAW?

A: Yes this will act as an interface for direct input into your computer.

Q: 4. Could I use the line outputs with active studio monitors?

A: The LINE outputs of the RME ADI-2/4 Pro SE 2-AD/4-DA 768 kHz, High-Performance Converter (Black Edition),BH # RMDI24PROSE, may be used to drive most active (powered) studio monitors.

Q: 5. What are the XLR inputs for? Microphone?

A: The XLR inputs on the RME ADI-2/4 Pro SE are analog line inputs, not mic inputs -- so you can connect a device that outputs line level directly into it, like a mixer for example.

Q: 6. Can I play an analog source and have it digital out via coaxial in real time?

A: Yes, the RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote is able to route an analog audio source to its digital outputs in this manner.

Q: 7. good for mastering? I want to go DAW USB RME ADI ANALOG OUT some outboard gear RME ADI ANALOG IN - USB DAW

A: Yes, the RME ADI-2/4 Pro SE 2-AD/4-DA 768 kHz, High-Performance Converter (Black Edition) would be suitable for mastering.

Q: 8. Would official support for Windows 10 be possible in the near future?

A: Lynx Studio Technology currently supports AES16e users using Microsoft Windows 10.

Q: 9. Can this convert 16 channel analog input as well as 16 channel ADAT input at the same time to Dante?

A: The high-density converter provides 16 x 16 balanced analoge TRS-I/Os and can handle pro studio levels up to +20dBu – adjustable in 1 dB steps. Optional +24 dBU I/Os and/or CV outputs are available. Combined with a temperature-compensated high-precision clock and an active jitter reduction hardware design, the 354-channel DX delivers an exceptional detailed sound. On the digital side, the multi-format device provides an optical MADI I/O with 64 I/Os. 2 x 4 ADAT ports can convert all 16 analog I/Os – even with up to 96 kHz. On top of it, the DX adds 64 x 64 channels (bi-directional transmission and port redundancy) of Dante/AES67 to an already impressive array of various I/Os – unique in this size and price range. The Pulse16DX incorporates a Word Clock I/O and a MIDI I/O for embedding signals and remote control of the unit. Many popular features from the flagship A32 have been added as well: Preset Management, Panel Lock and the sophisticated routing matrix. The PULSE16 DX provides a sophisticated internal matrix for the free routing and splitting of all 176 Ins to all 176 Outs in blocks of 8 channels. The headphone output on the front allows it to monitor every mono or stereo I/O directly on the unit.

Q: 10. I'm planning use same speakers for HTPC and turntable. Can I use that device as some kind of pre / pro with turntable when my HTPC will be switch off? And if answer is yes then how can I set up volume?

A: The The Aurora 16 USB from Lynx Studio Technology will not operate in standalone mode. A more appropriate device for your HTPC setup would be the RME Fireface UFX II USB Audio Interface; B&H# RMUFX2.