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Lynx Studio Technology Aurora(ⁿ) 32 Hd2 Ad/da Converter With Pro Tools Hd/hdx Interface

Lynx Studio Technology Aurora(ⁿ) 32 Hd2 Ad/da Converter With Pro Tools Hd/hdx Interface
  • Product Code: ga93722
  • Availability: In Stock

$17,697.00 $23,713.98

The Lynx Studio Technology Aurora() 32 HD2 is preconfigured with 32 analog ins and 32 analog outs on eight DB-25 connectors. It is also equipped with a Lynx LT-HD2 Pro Tools HD/HDX interface card that emulates the interface characteristics of the Avid HD I/O converter, allowing seamless operation with Avid systems including HDX and HD Native.

The Aurora(n) 32 HD2 is a mastering-grade 32-in / 32-out AD/DA converter which supports up to 24-bit / 192 kHz conversion. Design and technology borrowed from the development of Hilo converters is used to significantly improve specifications and transparency over previous models, while attaining stunning Hilo-like performance. Ideal for audio engineers and producers who demand the most pristine recordings and mixes, the 32 HD2 delivers coloration- and degradation-free signal for mission-critical audio applications in studios, mastering facilities, remote recordings, broadcast and live performance facilities.

The unit features an onboard microSD player/recorder capable of up to 32 channels of direct recording and playback, ideal when working in the field. Two headphone outputs with independent volume control let you monitor your sound with audiophile-grade precision, while a bright TFT LCD display gives you immediate access to all levels and functions, right from the front panel.

32-In / 32-Out AD/DA, 24-Bit / 192 kHz    Lynx LT-HD2 Pro Tools HD/HDX Interface    1-In / 3-Out SynchroLock 2 Word Clock    Hilo Converter Technology (HCT)    Onboard 32-Channel microSD Recorder    Two Audiophile-Grade Headphone Outputs    Future-Proof LSlot Design    Road-Ready Rackmount Reinforced Chassis    Full Windows and Mac Compatibility

Key Specs
Form FactorRackmount (Rack-Mountable with Included Hardware)
Converter TypeAD/DA Converter
Number of Channels32x A/D
32x D/A
Maximum Sampling Rate192 kHz / 24-Bit
Number of Microphone Inputs32
Analog Audio I/O4x DB-25 25-Pin Balanced Mic/Line/8-Channel Input
4x DB-25 25-Pin Balanced Mic/Line/8-Channel Output
2x 1/4" TRS Headphone Output
Digital Audio I/ONo
Parameters
Converter TypeAD/DA Converter
Number of Channels32x A/D
32x D/A
Display1x Color TFT
Maximum Sampling Rate192 kHz / 24-Bit
Number of Microphone Inputs32
Gain/Trim RangeInputs, Outputs:
+4 dBu (Pro)
-10 dBV (Consumer)
Connectivity
Analog Audio I/O4x DB-25 25-Pin Balanced Mic/Line/8-Channel Input
4x DB-25 25-Pin Balanced Mic/Line/8-Channel Output
2x 1/4" TRS Headphone Output
Phantom PowerNo
Digital Audio I/ONo
Host Connection2x DigiLink Mini (on Interface)
Host Connection ProtocolAvid Proprietary
USB (Non-Host)No
Sync I/O1x BNC Clock Input
3x BNC Clock Output
Network I/ONo
MIDI I/ONo
Expansion SlotsNo
WirelessNo
Performance
Frequency ResponseLine Inputs:
20 Hz to 20 kHz ±0.01 dB
Headphone Outputs:
20 Hz to 20 kHz ±0.025 dB
Line Outputs:
20 Hz to 20 kHz ±0.025 dB
Maximum Input Level20 dBu
Maximum Output Level18.4 dBu
Headphone Output Power68 mW into 600 Ohms
135 mW into 300 Ohms
383 mW into 60 Ohms
212 mW into 32 Ohms
100 mW into 16 Ohms
ImpedanceInputs:
100 Kilohm (Unbalanced)
200 Kilohm (Balanced)
Dynamic RangeLine Inputs:
119 dB
Line Outputs:
120 dB
Headphone Outputs:
120 dB
THD+NLine Inputs:
-113 dB
Line Outputs:
-108 dB
Headphone Outputs:
-107 dB
CrosstalkLine Inputs:
-130 dB (@1kHz -1dbFS)
Line Outputs:
-130 dB (@1kHz -1dbFS)
Headphone Outputs:
-120 dB (@1kHz -1dbFS)
Digital Audio
Sample Rates44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz
Sample Rate ConversionNo
Bit Depths24-Bit
Sync SourcesWord Clock
ClockingWord Clock:
Input Termination: 75 Ohms
Compatibility
OS CompatibilityWindows 7 or Later / macOS 10.9 or Later
OS CompatibilityWindows 7 or Later
macOS 10.9 or Later
Processor Requirement1.6 GHz Intel or Better (64-Bit)
RAM Requirements4 GB (64-Bit)
Mobile App CompatibleNo
Mobile Device CompatibilityNo
Required HardwareDigiLink Mini Port
Power
Power RequirementsAC/DC Power Adapter (Included)
AC Input Power100 to 240 VAC, 50 / 60 Hz
Physical
Rackmount Size1 RU
Dimensions19 x 10 x 1.7" / 482.6 x 254 x 43.2 mm
Weight7.3 lb / 3.3 kg

  • The LT-HD2 allows the Aurora(n) to be used in all current Pro Tools HD systems.
  • Connected via mini-Digilink cables (available separately) to HD Core, Accel Core, HDX, or Native cards, Pro Tools recognizes the Aurora(n) converter and controls all input and output functions, clocking, routing, and other settings.
  • The LT-HD2 features one Primary and one Expansion mini-DigiLink port. Aurora supports full channel count at sample rates up to 192 kHz.
  • Pro Tools users can benefit from Lynx’s proprietary SynchroLock 2 word clock technology for very low jitter and low distortion of digital signals.

  • The analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This offers many sonic advantages like significantly reducing crosstalk and distortion, while increasing dynamic range and performance.

  • Proprietary, SynchroLock 2 high-performance sample-clock technology provides a whopping 300,000:1 reduction in jitter, 5-second lock time, and absolute accuracy.
  • Wordclock I/Os provides one input and three outputs on BNC connectors.

Add Channels:

  • Start with eight, sixteen, or twenty-four channels and later add additional groups of eight channels for up to thirty two total.

Add Modules:

  • Digital I/Os, mic preamps; more are being designed now for future release.

Add Connectivity Options:

  • Dante, Thunderbolt 3, or USB via LSlot cards (available separately).

  • Mastering-quality, 32-in / 32-out AD/DA conversion at up to 24-bit / 192 kHz.
  • 32 analog ins and 32 analog outs on eight DB-25 connectors.
  • Preinstalled Lynx LT-HD2 Pro Tools HD & HDX interface card.
  • Wordclock I/O: one input and three outputs on BNC connectors.
  • Onboard microSD player/recorder capable of up to 32 channels of direct recording and playback.
  • Two audiophile-grade headphone outputs with independent volume control.
  • 480 X 128 TFT LCD display provides immediate access to all levels and functions and ensures that you see every piece of critical data from just about any viewing angle.
  • Universal power supply built in, no wall warts.
  • 1 RU rack-space design with no fan provides silent operation, so you can keep unit in the recording room, with no need for isolation from distracting fan noise.
  • Full Windows and OSX compatibility.
  • Designed and built in Southern California, USA.

Related Questions and Answers

Q: 1. Does this model use the AKM chipset?

A: The RME ADI-2/4 Pro SE 2-AD/4-DA 768 kHz, High-Performance Converter uses the ES9822Pro chip.

Q: 2. Will this model play back FLAC files?

A: No, the RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote does not have the ability play back FLAC files directly.

Q: 3. How to get the front panel display out to a larger video display?

A: There is no way to connect the front panel display from the RME ADI-2/4 Pro SE High-Performance Converter to a larger video display, but you can run the free RME Digicheck app on a Mac or Windows computer to be able to view the same metering from the spectral analyzer, as well as more options, on a large monitor connected to the computer. Additionally, an ADI 2 Remote app will be available soon that will enable full control from a computer.

Q: 4. What is the power rating on the output of this device? (watts or amps)

A: The power rating depends on the battery it is hooked up to. The P-Tap batteries that we sell seem to top out around 266 Wh.

Q: 5. Can the adi-2 pro FS be used as an audio interface to record analog input to Adobe audition and other DAW?

A: Yes this will act as an interface for direct input into your computer.

Q: 6. Will this unit work with a Mac using the M1 chip? Thanks.

A: The RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote is a Class Compliant device and is compatible for use with M1 Apple computers.

Q: 7. Is the DSD in this model a Quad-DSD (DSD256)?

A: This device can handle DSD256 playback.

Q: 8. Can you digitize vinyl records from an analog turntable or would baby face be better choice since it has a pre-amp?

A: The Babyface has microphone preamps. It would be helpful to know whether the turntable you will be using has phono level output or line level output. If the output is line level, then you can use any USB audio interface that accepts line level input to digitize vinyl. If the output level from the turntable is phono level, then you will need a phono preamp specifically for use with turntables such as the Rolls VP29 Phono Preamp (B&H # ROVP29), Bellari VP549 Phono Preamp (B&H # BEVP549), or ART Precision Phono Preamp for Turntables (B&H # ARPRECPHN). The ART USB Phono Plus Phono Preamp with USB (B&H # ARUSBPPPS) also features a built-in USB audio interface.

Q: 9. What are the XLR inputs for? Microphone?

A: The XLR inputs on the RME ADI-2/4 Pro SE are analog line inputs, not mic inputs -- so you can connect a device that outputs line level directly into it, like a mixer for example.

Q: 10. Would official support for Windows 10 be possible in the near future?

A: Lynx Studio Technology currently supports AES16e users using Microsoft Windows 10.

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