You are using an outdated browser. For a faster, safer browsing experience, upgrade for free today.
Phones: 800
$ USD
  • Your shopping cart is empty!

Panasonic Lumix S1 Mirrorless Camera With 20-60mm Lens Kit

Panasonic Lumix S1 Mirrorless Camera With 20-60mm Lens Kit
  • Product Code: ga96280
  • Availability: In Stock

$7,493.82 $10,491.35

As part of Panasonic's entry into full-frame mirrorless, the Lumix S1 is a well-rounded camera offering advanced feature-sets for both stills and video, along with a robust physical construction. Characterized by its full-frame 24.2MP MOS sensor, which is supported by an updated Venus Engine, the S1 offers impressive image quality along with a quick 9 fps shooting rate and expanded sensitivity range up to ISO 204800. In regard to video, the S1 can record UHD 4K30p with full-pixel readout, 4:2:2 10-bit color, and unlimited shooting times, as well as 4K60p for up to 29:59. HDR video recording is possible using the dedicated Hybrid Log Gamma mode, and a firmware update will be available to add 4:2:2 10-bit internal recording along with V-Log. Complementing both stills and video capabilities, the image sensor also utilizes an advanced DFD contrast-detection autofocus system for quick and precise focusing and subject tracking. Additionally, sensor-shift image stabilization helps to minimize the appearance of camera shake by 6.0 stops for sharper handheld shooting.

Beyond the imaging attributes, the S1 is also distinguished by its body design, which incorporates an impressively high resolution 5.76m-dot OLED electronic viewfinder along with a 3.2" 2.1m-dot triaxial tilt touchscreen LCD. The magnesium-alloy body is weather-sealed to permit working in harsh conditions and has a top status LCD for reviewing shooting settings on the fly. CFexpress Type B/XQD and SD card slots offer flexible storage capabilities and Bluetooth and Wi-Fi connectivity afford remote camera control along with wireless image transferring to tablets and smartphones.

24.2MP Full-Frame MOS Sensor    Venus Engine Image Processor    5.76m-Dot 0.78x-Magnification OLED LVF    3.2" 2.1m-Dot Triaxial Tilt Touchscreen    UHD 4K60 Video; HDR and 10-Bit Recording    ISO 100-51200, Up to 9 fps Shooting    Contrast-Detect 225-Area DFD AF System    Sensor-Shift Image Stabilization    Weather-Sealed Construction    Lumix S 20-60mm f/3.5-5.6 Lens

Key Specs
Lens MountL-Mount
Sensor ResolutionActual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor35.6 x 23.8 mm (Full-Frame) MOS
Image StabilizationSensor-Shift, 5-Axis
ISO Sensitivity RangePhoto
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Continuous ShootingUp to 9 fps at 24 MP for up to 90 Frames (Raw) / 999 Frames (JPEG)
Internal Recording Modes 4:2:2 10-BitUHD 4K (3840 x 2160) at 23.98/29.97 fps
AVCHD
1920 x 1080p at 29.97/59.94 fps [24 to 28 Mb/s]
1920 x 1080i at 59.94 fps [17 to 24 Mb/s]
H.264/MP4
UHD 4K (3840 x 2160) at 23.98/29.97/59.94 fps [150 Mb/s]
1920 x 1080p at 29.97/59.94 fps [100 Mb/s]
H.265/MP4
UHD 4K (3840 x 2160) at 23.98/29.97 fps [72 Mb/s]
MOV 4:2:0 10-Bit
5952 x 3968 at 24.00 fps [200 Mb/s]
5376 x 3584 at 25/29.97 fps [200 Mb/s]
5888 x 3312 at 24.00/25/29.97 fps [200 Mb/s]
3328 x 2496 at 24.00/25/29.97/50 fps [150 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/50/59.94 fps [150 to 200 Mb/s]
UHD 4K (3840 x 2160) at 24.00/25/29.97 fps [200 Mb/s]
External Recording ModesRaw via HDMI
5888 x 3312 at 23.98/25/29.97 fps
3536 x 2656 at 23.98/25/29.97/50 fps
4128 x 2176 at 23.98/25/29.97/50/59.94 fps
3840 x 2160 up to 50/59.94 fps
1920 x 1080p up to 50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 59.94 fps
Media/Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: CFexpress Type B / XQD
Video I/O1x HDMI (Unspecified Signal) Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1x USB-C Input/Output
Other I/O1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
1x PC Sync Socket Output
WirelessWi-Fi 5 (802.11ac), Bluetooth 4.2
Display TypeTilting Touchscreen LCD
Battery Type1x DMW-BLJ31 Rechargeable Lithium-Ion, 7.2 VDC, 3100 mAh
Imaging
Lens MountL-Mount
Sensor ResolutionActual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor35.6 x 23.8 mm (Full-Frame) MOS
Sensor Crop (35mm Equivalent)Crop Factor: 1x
Additional Modes: 1.5x
*Additional Crop Occurs in Select Video Modes
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNo
Capture TypeStills & Video
Exposure Control
Shutter TypeMechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter SpeedMechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/8000 to 60 Seconds
1/16000 to 1/25 Second in Movie Mode
Bulb/Time ModeBulb Mode
ISO Sensitivity RangePhoto
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Metering MethodCenter-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Metering Range0 to 18 EV
White BalancePresets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set
Continuous ShootingUp to 9 fps at 24 MP for up to 90 Frames (Raw) / 999 Frames (JPEG)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes3:2 Raw
24 MP (6000 x 4000)
3:2 JPEG
24 MP (6000 x 4000)
12 MP (4272 x 2848)
6 MP (3024 x 2016)
4:3 JPEG
21 MP (5328 x 4000)
11 MP (3792 x 2848)
5 MP (2688 x 2016)
16:9 JPEG
20 MP (6000 x 3368)
10 MP (4272 x 2400)
5 MP (3024 x 1704)
1:1 JPEG
16 MP (4000 x 4000)
8 MP (2848 x 2848)
4 MP (2016 x 2016)
65:24 JPEG
13 MP (6000 x 2208)
2:1 JPEG
18 MP (6000 x 3000)
Aspect Ratio1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File FormatJPEG, Raw
Video Capture
Internal Recording Modes 4:2:2 10-BitUHD 4K (3840 x 2160) at 23.98/29.97 fps
AVCHD
1920 x 1080p at 29.97/59.94 fps [24 to 28 Mb/s]
1920 x 1080i at 59.94 fps [17 to 24 Mb/s]
H.264/MP4
UHD 4K (3840 x 2160) at 23.98/29.97/59.94 fps [150 Mb/s]
1920 x 1080p at 29.97/59.94 fps [100 Mb/s]
H.265/MP4
UHD 4K (3840 x 2160) at 23.98/29.97 fps [72 Mb/s]
MOV 4:2:0 10-Bit
5952 x 3968 at 24.00 fps [200 Mb/s]
5376 x 3584 at 25/29.97 fps [200 Mb/s]
5888 x 3312 at 24.00/25/29.97 fps [200 Mb/s]
3328 x 2496 at 24.00/25/29.97/50 fps [150 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/50/59.94 fps [150 to 200 Mb/s]
UHD 4K (3840 x 2160) at 24.00/25/29.97 fps [200 Mb/s]
External Recording ModesRaw via HDMI
5888 x 3312 at 23.98/25/29.97 fps
3536 x 2656 at 23.98/25/29.97/50 fps
4128 x 2176 at 23.98/25/29.97/50/59.94 fps
3840 x 2160 up to 50/59.94 fps
1920 x 1080p up to 50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 59.94 fps
Fast-/Slow-Motion SupportYes
Gamma CurveHDR-HLG
Recording LimitNo
IP StreamingNo
Built-In MicrophoneStereo
Audio Recording AAC Audio
2-Channel AC-3 Audio
LPCM Audio
Interface
Media/Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: CFexpress Type B / XQD
Video I/O1x HDMI (Unspecified Signal) Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1x USB-C Input/Output
Other I/O1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
1x PC Sync Socket Output
WirelessWi-Fi 5 (802.11ac), Bluetooth 4.2
Mobile App CompatibleYes: Android & iOS
App Name: Panasonic LUMIX Sync
Functionality: Access Stored Files, Remote Control
Global Positioning (GPS, GLONASS, etc.)GPS
*Via Connected Smartphone
Monitor
Display Size3.2"
Resolution2,100,000 Dot
Display TypeTilting Touchscreen LCD
Secondary DisplayTop: Status Display
Viewfinder
TypeBuilt-In Electronic
Resolution5,760,000 Dot
Eye Point21 mm
Coverage100%
MagnificationApprox. 0.78x
Diopter Adjustment-4 to +2
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsContrast Detection: 225
Autofocus Sensitivity-6 to +18 EV
Flash
Built-In Flash/LightNo
Flash ModesAuto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed1/320 Second
Flash Compensation-3 to +3 EV (1/3 EV Steps)
Dedicated Flash SystemTTL
External Flash ConnectionPC Terminal
General
Battery Type1x DMW-BLJ31 Rechargeable Lithium-Ion, 7.2 VDC, 3100 mAh
Shoe Mount1x Hot Shoe
Tripod Mounting Thread1x 1/4"-20 Female (Bottom)
Material of ConstructionMagnesium Alloy
Operating Conditions14 to 104°F / -10 to 40°C at 10 to 80% Humidity
Dimensions (W x H x D)5.9 x 4.3 x 3.8" / 148.9 x 110 x 96.7 mm (Without Protrusions)
Weight2.25 lb / 1021 g (With Battery, Recording Media)
Packaging Info
Package Weight6.61 lb
Box Dimensions (LxWxH)9.5 x 9 x 6.3"

Featuring a full-frame 24.2MP MOS sensor, along with an updated Venus Engine, the S1's imaging capabilities have been optimized for high sensitivity, a wide dynamic range, and flexible recording modes. The sensor and processor incorporate Multipixel Luminance Generation and Intelligent Detail Processing technologies, which help to produce high resolution and definition by suppressing color moiré, and Color Control further enhances color reproduction, especially in the highlights and shadows. The Venus Engine's processing power also helps to suppress noise levels throughout the sensitivity range, from ISO 100-51200, and yield fast full-resolution continuous shooting speeds up to 9 fps with AF-S or 6 fps with AF-C, for more than 90 consecutive raw files.

Beyond stills shooting, the S1 is a highly capable video camera featuring UHD 4K30p recording with full-pixel readout, 4:2:2 10-bit color, and unlimited recording time along with UHD 4K60p recording for up to 29 minutes 59 seconds. Full HD recording is also supported, up to 60p with unlimited recording times. Also, high-speed recording modes for UHD 4K60, with 30 fps playback, and Full HD 180 fps, with 30 fps playback, offer 2x and 6x slower motion, respectively.

Complementing the video quality, a High Dynamic Range (HDR) mode, along with a dedicated Hybrid Log Gamma (HLG) Photo Style mode, can be used to expand highlight and shadow details and offer greater flexibility when color grading. An optional paid firmware update will be available to further heighten recording capabilities with support for 4:2:2 sampling, 10-bit color depth internal recording along with V-Log. Additionally, recording to an optional external recorder is possible, via the HDMI Type A port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.

  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.

  • An impressive Real View Finder is a high-resolution 5.76m-dot OLED EVF offering a clear 0.78x configurable viewing magnification along with a smooth 60 fps or 120 fps changeable refresh rate, 0.005 sec lag, and 10,000:1 contrast ratio.

  • Large 3.2" 2.1m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a triaxial tilting design to suit working from high and low angles, even in the vertical shooting orientation, and its touchscreen design affords intuitive settings control. Live View Boost is a dedicated viewing mode for working in low-light conditions, where the viewing sensitivity can be increased to aid in composing your image, and a Night mode also benefits working in dark conditions by lowering the screen's backlight intensity.

  • In addition to the rear LCD, a top status LCD can also be used for quickly reviewing shooting settings, even when the camera is powered off.

  • Durable, weather-sealed magnesium-alloy construction is splash, dust, and freezeproof to accommodate working in harsh weather conditions and trying environments.

  • Ergonomic design provides a large, comfortable right-hand grip along with easily accessible physical controls, an eight-way joystick, and a refined overall UI design for intuitive use. Additionally, illuminated buttons aid settings adjustment in low-light conditions and a lock lever prevents unwanted settings changes.

  • Dual memory card slots—one CFexpress Type B/XQD slot and one SD UHS-II compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.

  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, 3.5mm microphone and headphone jacks suit advanced audio recording needs, and a PC sync port can be used for wired flash synchronization.

  • DMW-BLJ31 rechargeable lithium-ion battery is rated for approximately 380-400 shots per charge when working with the rear monitor, 360-380 shots per charge with the EVF, and 1100-1150 shots per charge when Power Save LVF mode is on.

  • High precision shutter mechanism offers a top mechanical speed of 1/8000 sec, a flash sync speed of 1/320 sec, and has been tested for approximately 400,000 actuations.

Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S1's 6.0 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake.

For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face/eye detection capabilities make it easier to photograph people and prioritize focusing as specifically as on a subject's pupil. The AF Near Shift function biases focus close to the cmera, while Far Shift biases for distant subjects. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.

Utilizing the S1's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:

  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.

  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.

  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.

Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring. 4K video files may be transferred to a smartphone via Wi-Fi.

  • By using sensor-shift stabilization technology, the S1 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.

  • HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.

  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.

  • I.S. Status Scope helps to recognize the type of camera shake being caused by displaying an arrow in the viewfinder or on the rear LCD.

  • Flicker Decrease automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.

  • Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.

  • Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.

  • Lumix Tether enables wired, tethered shooting capabilities via USB connection between the camera and a computer. Aside from offering a larger live view preview, this application also permits remotely triggering the shutter, use of 6K and 4K Photo modes, and video recording start/stop.

  • Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.

Adds Blackmagic RAW video output over HDMI when recording to a Blackmagic Video Assist 12G HDR recording monitor, making the S1 an ideal choice for DaVinci Resolve users. This update will require S1 users to already have the DMW-SFU2 upgrade installed, thus making the S1 suitable for both ProRes RAW and Blackmagic RAW recording. In addition, L. ClassicNeo and L. Monochrome have been added in Photo Style. L. Classic Neo is a filmlike colorful effect with soft tones; and L. Monochrome is a gentle black & white rendering well-suited to portraiture.

Related Questions and Answers

Q: 1. Does it shoot 10bit 60p 1080p?

A: With a purchased firmware update, the S1 can record in 4:2:2 10 bit in Full HD at 60 FPS.

Q: 2. Image stabilization

A: Yes, the Panasonic Lumix S5 IIX Mirrorless Camera has 5-Axis Sensor-Shift Image Stabilization.

Q: 3. Panasonic S5ii X : is the ProRes on the X version up to 4K 60 or just HD 1080p ?

A: At this time Panasonic has not released that information on the Panasonic S5ii X.

Q: 4. Does this camera really weigh 2.25 lbs?!

A: Yes.

Q: 5. Will it have focus peaking?

A: Yes it does focus peaking and zebra

Q: 6. what are some low profile recommended ssd drives for external recording up to 2TB? & what cable/how to mount to cage?

A: The Panasonic Lumix S5 IIX Mirrorless Camera (B&H# PADCS5M2X) can record to 2TB SSDs such as these which come with the needed cable: The Samsung 2TB T7 Portable SSD (Titan Gray) (B&H# SMMUPC2T0TAM) https://bhpho.to/2zAU77R The Crucial 2TB X10 Pro USB 3.2 Gen 2x2 Portable SSD (B&H# CR2TBX10PRO9) https://bhpho.to/46LvfEG The Crucial 2TB X9 Pro USB 3.2 Gen 2 Portable SSD (B&H# CR2TBX9PRO9): https://bhpho.to/48L4t1b A clamp such as the SHAPE Universal SSD Drive Clamp (B&H# SHSSDOC) can be used to secure the drive to a cage using screws: https://bhpho.to/2lfVPEP

Q: 7. Which recording resolutions and frame rates are cropped?

A: 4K 60 will crop

Q: 8. Can I use manual cine prime lenses? with an adapter. Does it works ? For video

A: To assist you with your inquiry, we would need to know the lens mount used on the lens which you plan to mount onto the Panasonic Lumix DC-S1 Mirrorless Digital Camera. Unfortunately, the lens mount on the cine lens you wish to use was not listed in your inquiry. As such, I would recommend e-mailing us at askbh@bhphoto.com with the brand/model of the lens you own, or indicate which lens mount is used on the lens (or onto which camera the lens is normally designed for usage) and we would then be able to assist you with your inquiry.

Q: 9. Do the Prores files recorded to an external SSD include synced audio files with the video?

A: The Panasonic Lumix S5 IIX Mirrorless Camera can record ProRes files directly to the SSD. The Audio file would also be recorder but you wont be able to play it back on the camera. In order to hear the audio you will need to upload your video to a software that can read the ProRes files.

Q: 10. Is the autofocus on this camer better then the Sony a6000 or 6400?

A: The Panasonic Lumix S5 IIX Mirrorless Camera has phase detection autofocus just like those Sony cameras have, so the autofocus will be similar.

11/09/2024

I've been using it for about 4 months, all I can say is wow what a quality of video, so clear so nice, very natural colors on skin.
It's amazing what panasonic done with this hybrid machine. NO REGRETS!!! Just make sure you use only super fast sd/sqd cards to give support to this wonderful camera.

5
13/07/2024

No camera is perfect. This is true. But this camera comes pretty darn close. Lazy amateur naysayers will complain about AF, but they are kinda dumb. This isn't a vlogging camera. This is a camera for people who are hybrid shooters with some skills; who like to shoot super nice stills, but may also shoot a high-end short film or documentary. Check and check. And the AF? Frankly, I think it's quite good. I have Canon cameras too and although the AF isn't quite as good, it's totally useable and reliable in good lighting. And although the lenses are new and thus limited and expensive, the IQ of this Panasonic knocks the socks off anything Canon has out anywhere near the price range. Plus, if you are capable of pulling your own focus, you can use EF and PL lenses with adapters. Another check. And it does Single Focus quite well with the Sigma adapters. The native lens limitations and prices for the super nice Panasonic S lenses are the main sticking points for this system, but if image quality, ergonomics, low-light, dynamic range, colors, customization options and IS are important to you, this camera is bomb. Seriously, nothing comes close until you spend at least $2-4k more.

5
19/05/2024

Overall, I LOVE the Lumix S1. I use it mostly for it's 10bit 4k video ability. The 4k resolution and detail is spectacular. It's 10bit color in HLG and VLog is great and it's VLog dynamic range is THE most I have EVER seen in any camera before. It's 150Mbp/s 4k long GOP CODEC is surprisingly tough. It encodes VERY well down into the shadows and allows you to aggressively stretch colors upward without seeing the noise floor and compression artifacts that you certainly would expect. Auto focus is not on Sony's A+ level but it's not terrible either. I would rate it's AF a solid B grade performer.


Now for the one bad part - In VLog, the S1 and S1H suffer a severe defect in terms of blue LED lights. Actually, they are completely intolerant to any kind of blue lights in dark scenes. In fact, they will go berserk and clip the blue very, VERY badly. The blue clipping will swallow areas all around any blue LED light, completely ruining your shot. However, this does NOT happen in HLG at all. HLG is perfectly fine in the exact same scenes. I believe this can be fixed in firmware but until then, when using VLog, be EXTREMELY careful with any blue light in your shot. (i.e stage lighting or wedding receptions, etc..) If you see blue, switch to HLG....don't risck it!


With that problem aside,...this is a PHENOMENAL camera in sooooo many ways. I'm very much in love with it! (I left Sony for this camera because of it's 10bit video)

5

Write a review

Note: HTML is not translated!
    Bad           Good
Captcha

Top Bestselling Products

Kase Kw Revolution Entry Kit (55mm)

$569.85 $900.36

Products You May Like

Kupo Mini Double Grip Hybrid Head

$56.85 $88.12

Magewell Pcie X8 Two-channel 4k Capture Card

$5,397.00 $6,800.22

Vizrt Tricaster Tc1 Pro (2 Ru)

$68,985.00 $91,060.20

Dji Crystalsky 5.5" High-brightness Monitor

$927.00 $1,140.21

Luxli Barndoors For Timpani 1x1 Led Panel

$178.20 $256.61