Fireface Ucx Ii

Rme Fireface Ucx Ii 40-channel Usb-b Audio/midi Interface

Product Code: ga97782
Availability: In Stock

$5,097.00 $7,237.74

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Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20x20 USB audio/MIDI interface that effectively serves as a mobile version of RME's respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote-control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder.

Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, headphones, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.

Musicians, Content Creators & Engineers AC Powered / Mac, Windows 2 Mic/Line In, 2 Line/Hi-Z In, 4 Line In 1 Headphone Out, 6 TRS Line Out 24-Bit / 192 kHz AD/DA Conversion 48V, Wordclock I/O Record all I/O to USB Flash Storage Full Standalone Functionality MIDI, S/PDIF, ADAT, AES I/O TotalMix FX Mixing/Routing, Room EQ

Key Specs
Channels of I/O	Analog: 8 Inputs / 8 Outputs Digital: 12 Inputs / 12 Outputs
Maximum Sampling Rate	192 kHz / 24-Bit
Number of Microphone Inputs	2
Analog Audio I/O	2x Combo XLR-1/4" TRS Balanced Mic/Line Input (Front Panel) 2x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Input 6x 1/4" TRS Balanced Line Output 1x 1/4" TRS Unbalanced Headphone Output (Front Panel)
Digital Audio I/O	1x TOSLINK Optical ADAT Input 1x TOSLINK Optical ADAT Output 1x XLR 3-Pin AES3 Input (on Breakout Cable) 1x XLR 3-Pin AES3 Output (on Breakout Cable) 1x RCA Coaxial S/PDIF Input (on Breakout Cable) 1x RCA Coaxial S/PDIF Output (on Breakout Cable)
Host Connection	1x USB-B
Power Requirements	AC/DC Power Adapter (Included)
Parameters
Channels of I/O	Analog: 8 Inputs / 8 Outputs Digital: 12 Inputs / 12 Outputs
Built-In DSP	No
Maximum Sampling Rate	192 kHz / 24-Bit
Number of Microphone Inputs	2
Built-In Microphone	No
Input Level Adjustment	1x Knob
Signal Processing
Pad	No
Gain/Trim Range	1/4" Hi-Z Inputs: +6 dB Combo XLR-1/4" Mic/Line Inputs: +75 dB 1/4" Line Inputs: +12 dB
High-Pass Filter	No
Solo/Mute	No
Connectivity
Analog Audio I/O	2x Combo XLR-1/4" TRS Balanced Mic/Line Input (Front Panel) 2x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Input 6x 1/4" TRS Balanced Line Output 1x 1/4" TRS Unbalanced Headphone Output (Front Panel)
Phantom Power	48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O	1x TOSLINK Optical ADAT Input 1x TOSLINK Optical ADAT Output 1x XLR 3-Pin AES3 Input (on Breakout Cable) 1x XLR 3-Pin AES3 Output (on Breakout Cable) 1x RCA Coaxial S/PDIF Input (on Breakout Cable) 1x RCA Coaxial S/PDIF Output (on Breakout Cable)
Host Connection	1x USB-B
Host Connection Protocol	USB 2.0
USB (Non-Host)	1x USB-A (External Storage)
Sync I/O	1x BNC Word Clock Input or Output
Network I/O	No
MIDI I/O	1x DIN 5-Pin Input 1x DIN 5-Pin Output
Expansion Slots	No
Other I/O	1x DE-9/DB-9 Breakout Cable In/Out
Performance
Frequency Response	Inputs: 5 Hz to 20.8 kHz -0.1 dB (at 44.1 kHz) 3 Hz to 45.8 kHz -0.5 dB (at 96 kHz) 2 Hz to 92 kHz -1 dB (at 192 kHz) Outputs: 5 Hz to 20.8 kHz -0.5 dB (at 44.1 kHz) 5 Hz to 45 kHz -0.5 dB (at 96 kHz) 5 Hz to 89 kHz -1 dB (at 192 kHz)
Maximum Input Level	Combo XLR-1/4" Mic Inputs: +18 dBu (Min Gain) -57 dBu (Max Gain) Combo XLR-1/4" Line Inputs: +24 dBu (Min Gain) -51 dBu (Max Gain) 1/4" Line Inputs: +19 dBu (Min Gain) +1 dBu (Max Gain) 1/4" Hi-Z Inputs: +13 dBu (Min Gain) -5 dBu (Max Gain)
Maximum Output Level	Line/Headphone Outputs: +19 dBu
Headphone Output Power	210 mW per Channel into 32 Ohms (Max, 0.1% THD)
Impedance	Combo XLR-1/4" Mic Inputs: 5.4 Kilohms Combo XLR-1/4" Line Inputs: 10 Kilohms (Balanced) 5 Kilohms (Unbalanced) 1/4" Line Inputs: 12 Kilohms (Balanced) 8 Kilohms (Unbalanced) Line Outputs: 75 Ohms Hi-Z Inputs: 1 Megohm Headphone Outputs: 1 Ohm
Dynamic Range	Line Outputs: 115 dB (A-Weighted) 112 dB RMS (Unweighted)
SNR	1/4" Line Inputs: 115 dB (A-Weighted) 112 dB RMS (Unweighted)
THD	Inputs: < -110 dB / < 0.00032% Outputs: < -108 dB / < 0.0004%
THD+N	Inputs: < -104 dB / < 0.00063% Outputs: < -104 dB / < 0.00063%
EIN	Mic Inputs: -128 dBu A-Weighted (150-Ohm Source, +60 dB Gain, 20 Hz to 20 kHz)
Digital Audio
Sample Rates	Up to 192 kHz
Sample Rate Conversion	No
Bit Depths	24-Bit
Latency	Zero-Latency Direct Monitoring A/D Conversion: 0.11 ms at 44.1 kHz A/D Conversion: 0.1 ms at 48 kHz A/D Conversion: 0.057 ms at 88.2 kHz A/D Conversion: 0.052 ms at 96 kHz A/D Conversion: 0.034 ms at 176.4 kHz A/D Conversion: 0.031 ms at 192 kHz D/A Conversion: 0.13 ms at 44.1 kHz
Sync Sources	ADAT, AES3, Internal, S/PDIF, Word Clock
Clocking	Word Clock: Input Termination: 75 Ohms Input Voltage: 1 to 5.6 V p-p Output Voltage: 5 V p-p Lock Range: 27 to 200 kHz AES: Input Voltage: 0.3 V p-p Output Voltage: 2.6 to 4.5 V p-p Lock Range: 27 to 200 kHz Jitter Suppression: > 50 dB (2.4 kHz) S/PDIF: Input Voltage: 0.3 V p-p Output Voltage: 0.6 to 1.2 V p-p Lock Range: 27 to 200 kHz Jitter Suppression: > 50 dB (2.4 kHz) ADAT: Lock Range: 31.5 to 50 kHz Jitter Suppression: > 50 dB (2.4 kHz)
Audio Storage & Playback
Media/Memory Card Slot	No
Compatibility
OS Compatibility	Computer: macOS 10.12 or Later / Windows 7 or Later / Linux Mobile: iPadOS Only
Processor Requirement	Intel Core i3 or Better
Mobile Device Compatibility	iPad iPad Pro iPhone
Required Hardware	Available USB 2.0 Port or USB 3.0 / 3.1/3.2 Gen 1 Port USB Cable (Included)
Power
Power Requirements	AC/DC Power Adapter (Included)
AC Input Power	100 to 240 VAC, 50 / 60 Hz
AC/DC Power Adapter	9 to 18 VDC at 2 A, Center-Positive (Included)
Power Consumption	13 W (Typical)
Physical
Rackmount Size	1 RU (with Non-Included Hardware, 1/2-Rack)
Operating Conditions	41 to 122°F / 5 to 50°C up to 75% Humidity
Dimensions	8.5 x 5.1 x 1.73" / 21.6 x 13 x 4.39 cm (without Rack Ears) 10.16 x 6.1 x 1.73" / 25.81 x 15.5 x 4.39 cm (with Rack Ears)
Weight	2.0 lb / 0.9 kg
Packaging Info
Package Weight	3.955 lb
Box Dimensions (LxWxH)	13.7 x 7.7 x 3.7"

The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME's long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19" panels.

With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME's highest feature-to-space ratio ever.

The Fireface UCX II comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision.
The integration of Room EQ adds room calibration to the RME eco-system, making your Fireface perfect for Immersive audio setups including Dolby ATMOS. Room EQ consists of nine bands of fully parametric EQ, individual output delay, and volume calibration. Users can freely assign up to twenty 20 Room EQs at once to any output(s) they wish including stereo, headphone, and digital outputs for maximum flexibility. Settings can be input manually or imported using tools like Sonarworks or Room EQ Wizard.
Also added is a feature called Binaural Crossed. This functionality provides speaker emulation in headphones-perfect for mixing stereo or ATMOS in headphones. The Crossfeed function emulates speaker behavior in terms of channel separation, so the extremely wide ambience experienced in headphones can be set in 5 stages.

Full standalone operation, no computer required
DURec-integrated digital recorder allows you to record directly to USB memory devices
All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
SteadyClock FS reference-class digital clocking
USB out for ARC USB remote control (available separately)
Compatible with TotalMix FX for iPad
DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
Class-compliant mode for Linux environments and compatibility with iPads and iPhones (separately available connection kits may be needed)
Crisp high-resolution color display shows metering for all input and output channels

Two XLR-1/4" combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
Two 1/4" TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
Four rear-panel balanced 1/4" TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
All analog inputs are digitally controlled

Six balanced 1/4" TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
High-power 1/4" stereo headphone output

8-channel ADAT I/O via TOSLINK optical ports
2-channel AES3 I/O via breakout cable
2-channel S/PDIF I/O via breakout cable
USB-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards

DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
BNC wordclock jack can be assigned as an input or output
Barrel input for included power adapter

Related Questions and Answers

Q: 1. Is the M4 compatible with Apple's M1 Computers?

A: Not yet compatible with M1 chips.

Q: 2. Will Madiface operate as USB class compliant device? (using 32x32 channels I/O)

A: The MADIface USB MIDI is class compliant. Therefore it comes without a driver. OS X recognizes it as MIDI device and will be using it with the driver included in the operating system. Like any audio interface the MADIface USB should have a data transmission to the computer as undisturbed as possible. The easiest way to guarantee this is to connect it to its own bus, which should be no big problem as most USB 2.0 interfaces are a double bus design. A check in the Device Manager can be done as follows: ¾ Connect the MADIface USB to a USB port ¾ Start the Device Manager, choose View Devices by Connection ¾ Select ACPI x86-based PC, Microsoft ACPI-Compliant System, expand PCI Bus

Q: 3. Will this work on a 2015 iMac?

A: This should connect to a 2015 iMac via the included USB C to A cable. Your macOS will need to be 10.11 or higher in order for this unit to operate.

Q: 4. Will this replacement power supply also work in the older UFX?

A: No. The RME NT-RME-10 Replacement Power Supply for Fireface UFX+ and UFX II is not compatible with the older UFX. Instead, you can use the RME NT-RME-4 Replacement Power Supply (B&H # RMNTRME4), which is compatible for use with the Fireface 800, 802, and UFX, the Octamic II and Octamic XTC, and the ADI-8 DS Mk III and QS.

Q: 5. Is Digiface USB, USB class compliant?

A: Yes it is: The Digiface USB has a Class Compliant mode. Like any audio interface the Digiface USB should have a data transmission to the computer as undisturbed as possible. The easiest way to guarantee this is to connect it to its own bus, which should be no big problem as most USB 2.0 interfaces are a double bus design. A check in the Device Manager can be done as follows: ¾ Connect the Digiface USB to a USB port ¾ Start the Device Manager, View set to Devices by Connection ¾ Select ACPI x86-based PC, Microsoft ACPI-Compliant System, expand PCI Bus

Q: 6. Can you actually record true 32 Bit Float through this interface?

A: No, the M4 does not offer 32-bit floating point recording.

Q: 7. I'm looking for a way to pipe the signal coming out of the Moto M2 into a streaming setup that accepts hdmi input. Any suggestions?

A: It would depend on what kind of device you want to connect it to. If you are referencing a streaming switcher, you would just plug this interface into the same computer that you are using to stream and designate the interface as your audio input source from your System Preferences or Settings on your computer.

Q: 8. Does it come with any cables?

A: The MOTU M2 2x2 USB-C comes with 1 USB cable.

Q: 9. If a phantom button is pushed on, will it be memorized after the unit is turned off or disconnected?

A: As per MOTU, the unit would default to it's last settings prior to being powered down. The Phantom Power should remain on.

Q: 10. Can I connect it to a Thunderbolt input on my Mac with a USB-C to USB-C cable?

A: Yes

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